The DVD and the Study of Film - by M Parker (Hardcover)

About the Book

"The DVD embodies a bold experiment in the delivery of film and in the history of film--a contextualized presentation that offers unusual advantages to students of film, to critics and scholars seeking to document its history, and to directors and other creative figures who wish to speak directly to their audiences. This book examines supplementary features created for DVD releases of film as a form of cinematic appreciation and criticism. Drawing on interviews with DVD producers, directors, and scholars, it explores how the format, at its best, combines the enthusiasm of a fan, cinematic nostalgia, and scholarly insight"--

Book Synopsis

Drawing on interviews with producers, directors, and scholars, and examining the DVD's supplementary features, this book explores how the format, at its best, combines the enthusiasm of a fan, cinematic nostalgia, and scholarly insight.

Review Quotes

"A remarkable job of capturing the story of the Criterion Collection.Absolutely spot on and highly illuminating...A balanced, coherent, and compelling narrative." - Michael Nash, Executive Vice President, Digital Strategy and Business Development, Warner Music Group.

"A fascinating account of the evolution of home video from the laserdisc to the DVD with its multiple track audio commentaries and rich supplementary content enabling the broader public to engage more deeply in cinema studies. The book s in-depth interviews and critical analysis gives an unequaled first person perspective and deep insight into film studies in the modern age." - Curtis Wong, Principal Researcher, Microsoft"I know of no other study of the DVD 'revolution' that is as detailed and suggestive as this stylish, lucid investigation. An early scholarly foray into a field this massive, relatively new, and constantly changing cannot be expected to cover all the issues or answer all the questions, but this book does an admirable job raising important questions and identifying new directions in film reception." - Timothy Corrigan, Professor of English, Cinema Studies, and History of Art, University of Pennsylvania

About the Author

Mark Parker is a Professor of English at the James Madison University. Deborah Parker is a Professor of Italian at the University of Virginia.