The Mysterious Romance of Murder - by David Lehman (Hardcover)

About the Book

Book Synopsis

From Sherlock Holmes to Sam Spade; Nick and Nora Charles to Nero Wolfe and Archie Goodwin; Harry Lime to Gilda, Madeleine Elster, and other femmes fatales--crime and crime solving in fiction and film captivate us. Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Lehman explores a wide variety of outstanding books and movies--some famous (The Maltese Falcon, Double Indemnity), some known mainly to aficionados--with style, wit, and passion.

Lehman revisits the smoke-filled jazz clubs from the classic noir films of the 1940s, the iconic set pieces that defined Hitchcock's America, the interwar intrigue of Eric Ambler's best fictions, and the intensity of attraction between Humphrey Bogart and Lauren Bacall, Robert Mitchum and Jane Greer, Cary Grant and Ingrid Bergman. He also considers the evocative elements of noir--cigarettes, cocktails, wisecracks, and jazz standards--and offers five original noir poems (including a pantoum inspired by the 1944 film Laura) and ironic astrological profiles of Barbara Stanwyck, Marlene Dietrich, and Graham Greene. Written by a connoisseur with an uncanny feel for the language and mood of mystery, espionage, and noir, The Mysterious Romance of Murder will delight fans of the genre and newcomers alike.

Review Quotes

Lehman's exuberant collection of essays, poems, and annotated lists captures the manifold associations stirred by a lifetime's attention to crime fiction and movies, touching on everything from wisecracks to cigarettes to musical soundtracks to Kenneth Fearing as "the patron saint of poetry noir."

As one might expect from this distinguished poet and versatile man of letters, his sprightly new book isn't just deeply knowledgeable, it's also a lot of fun.

The real originality of this book lies less in its critical comments than in its creativity. Lehman, who is also a poet, includes poems, his own and others', inspired by or imitating noir. He even offers a haiku. As if conversing with another aficionado, he compares favorite actors and moments, repeats favorite wisecracks, and tries to recreate the pleasure of the initial experience. In his casual way he also sparks ideas. How often does a critical book actually make one want to read the books it discusses?

About the Author

David Lehman is a poet and writer whose many books include The Morning Line, Sinatra's Century, and One Hundred Autobiographies. He is the editor of The Oxford Book of American Poetry and The Best American Poetry series. He divides his time between Ithaca and New York City.