The Politics of Jean Genet's Late Theatre - (Theatre: Theory - Practice - Performance) by Carl Lavery (Paperback)
About this item
Highlights
- The politics of Jean Genet's late theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s.
- About the Author: Carl Lavery is Senior Lecturer in Drama, Theatre and Performance at Aberystwyth University
- 264 Pages
- Performing Arts, Theater
- Series Name: Theatre: Theory - Practice - Performance
Description
About the Book
Jean Genet and the politics of theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s. The book's innovative approach departs significantly from existing scholarship on Genet. Where scholars have tended to bracket Genet as either an absurdist, ritualistic or, more recently, a resistant playwright, this study argues that his theory and practice of political theatre have more in common with the affirmative ideas of thinkers such as Henri Lefebvre, Jacques Rancière and Alain Badiou. By doing so, the monograph positions Genet as a revolutionary playwright, interested in producing progressive forms of democracy. This original and interdisciplinary reading of Genet's late work will be of interest to students and practitioners of Theatre, as well as those interested in French and History.Book Synopsis
The politics of Jean Genet's late theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s. The book's innovative approach departs significantly from existing scholarship on Genet. Where scholars have tended to bracket Genet as either an absurdist, ritualistic or, more recently, a resistant playwright, this study argues that his theory and practice of political theatre have more in common with the affirmative ideas of thinkers such as Henri Lefebvre, Jacques Rancière and Alain Badiou. By doing so, the monograph positions Genet as a revolutionary playwright, interested in producing progressive forms of democracy.
This original and interdisciplinary reading of Genet's late work will be of interest to students and practitioners of Theatre, as well as those interested in French and History.Review Quotes
Lavery's brilliant analysis of the political meanings of Genet's late drama can be understood as paying homage to Genet's conceptual recedents. Thus does Lavery become part of a unique school of scholars, including Derrida, whose theoretical work reflects mimetically and matches the complexity of Genet's own theorizing.'
Yehuda Moraly, Modern Drama, 01/04/2012
Matthew Yde, Theatre Survey, Volume 54, Issue 01 'This is a highly readable and stimulating book that is sure to generate fruitful discussion from future scholars'
Maire´ad Hanrahan, French Studies, vol 67, no 2
About the Author
Carl Lavery is Senior Lecturer in Drama, Theatre and Performance at Aberystwyth University