The Politics of Viewing in Xenophon's Historical Narratives - by Rosie Harman (Hardcover)

About the Book

"This book considers cultural identity and power relations in early fourth-century BCE Greece through a reading of Xenophon's historical narratives, the Hellenica, Anabasis and Cyropaedia. These texts depict conflicts between Greek states, conflicts between Greeks and non-Greeks, and relations between the elite individual and society. In all three texts, politically significant moments are imagined in visual terms. We witness spectacles of Spartan military victory, vistas of Asian landscape or displays of Persian imperial pomp, and historical protagonists are presented as spectators viewing and responding to events. Through this visual form of narration, the reader is encouraged imaginatively to place themselves in the position of the historical protagonists. In viewing events from different perspectives, and therefore occupying multiple, often conflicting political positions, the reader not only experiences the problems faced by historical actors, but becomes engaged in the political conflicts acted out in the narratives. The reader is prompted to take pleasure in the sight of Panhellenic achievement, but also to witness the divisions and conflicts between Greeks on class and ethnic lines. Similarly the reader is invited to identify with spectacular Greek and non-Greek figures of power as emblems of Greek imperial potential, but also to see through the eyes of those communities subjugated at their hands. The depiction of spectacles and spectators draws the reader into an active participation in the ideological contradictions of their time, in a period when Panhellenic aspiration co-existed with hegemonic competition between Greek states, and when Greeks could be both beneficiaries and victims of imperialism"--

Book Synopsis

This book considers cultural identity and power relations in early fourth-century BCE Greece through a reading of Xenophon's historical narratives, the Hellenica, Anabasis and Cyropaedia. These texts depict conflicts between Greek states, conflicts between Greeks and non-Greeks, and relations between the elite individual and society. In all three texts, politically significant moments are imagined in visual terms. We witness spectacles of Spartan military victory, vistas of Asian landscape or displays of Persian imperial pomp, and historical protagonists are presented as spectators viewing and responding to events.

Through this visual form of narration, the reader is encouraged imaginatively to place themselves in the position of the historical protagonists. In viewing events from different perspectives, and therefore occupying multiple, often conflicting political positions, the reader not only experiences the problems faced by historical actors, but becomes engaged in the political conflicts acted out in the narratives.

The reader is prompted to take pleasure in the sight of Panhellenic achievement, but also to witness the divisions and conflicts between Greeks on class and ethnic lines. Similarly the reader is invited to identify with spectacular Greek and non-Greek figures of power as emblems of Greek imperial potential, but also to see through the eyes of those communities subjugated at their hands. The depiction of spectacles and spectators draws the reader into an active participation in the ideological contradictions of their time, in a period when Panhellenic aspiration co-existed with hegemonic competition between Greek states, and when Greeks could be both beneficiaries and victims of imperialism.

Review Quotes

"Rosie Harman offers a sparkling analysis of the ways in which the representation of visual experience in Xenophon's historical works - Hellenica, Anabasis and Cyropaedia - invites readerly engagement with ideological problems facing the Greek elite of the early fourth century BCE. Addressing the politics of viewing in Xenophon against the backdrop of modern theory as well as ancient Greek cultural contexts of viewing and spectatorship, this sophisticated study shows how Xenophon's texts prompt readers to occupy multiple, often conflicting political positions, and thereby experience for themselves the problems faced by historical actors." --Emily Baragwanath, Associate Professor of Classics, The University of North Carolina at Chapel Hill

"This book is a fine addition to the growing number of books on Xenophon. Its focus on the political implications of 'viewing', as construed in Hellenica, Anabasis, and Cyropaedia, rehabilitates Xenophon as a complex thinker and a cunning literary artist." --Luuk Huitink, Assistant Professor of Ancient Greek, University of Amsterdam, The Netherlands

"Readers interested in political theory, ancient history, and narrative technique will benefit from Harman's study... The Politics of Viewing demonstrates decisively that the reciprocal relationship between the one who sees and the one who is seen is never straightforward and that, when scenes of viewing involve issues of Greek identity or Greek values, audiences can experience multiple, contradictory reactions at the same time." --Polis: The Journal for Ancient Greek and Roman Political Thought

About the Author

Rosie Harman is Lecturer in Greek Historiography at University College, London, UK.