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About this item
Highlights
- From the celebrated cultural historian and bestselling author, a provocative history of the evolution of our ideas about art since the early nineteenth century In this witty, provocative, and learned book, acclaimed cultural historian and writer Jacques Barzun traces our changing attitudes to the arts over the past 150 years, suggesting that we are living in a period of cultural liquidation, nothing less than the ending of the modern age that began with the Renaissance.
- About the Author: Jacques Barzun (1907-2012) was professor of history at Columbia University and the author of many books, including the bestselling From Dawn to Decadence: 500 Years of Western Cultural Life, 1500 to the Present; Simple and Direct; The Energies of Art; and The House of Intellect.
- 160 Pages
- Art, Criticism & Theory
Description
About the Book
Barzun, a professor of history at Columbia University, examines art as religion, as destroyer, as redeemer, and in relation to what he calls "its tempter, science". Developed from his lecture series at the National Gallery, this title explores art's value and its drawbacks for life.Book Synopsis
From the celebrated cultural historian and bestselling author, a provocative history of the evolution of our ideas about art since the early nineteenth century
In this witty, provocative, and learned book, acclaimed cultural historian and writer Jacques Barzun traces our changing attitudes to the arts over the past 150 years, suggesting that we are living in a period of cultural liquidation, nothing less than the ending of the modern age that began with the Renaissance. He challenges our conceptions and misconceptions about art "in order to reach a conclusion about its value and its drawbacks for life at the present time."From the Back Cover
"When an extremely intellectual, extremely experienced, extremely wise man shares his thoughts with others, the result seizes the imagination at once. Such is the effect of these essays, a series given as lectures at the National Gallery in 1973. Mr. Barzun examines art as religion, as destroyer, as redeemer, and in relation to what he calls "its temper, science", but never forgets the basic essential. As he says, "the last word on art should indeed be: mystery. But that need not stop any of us from dealing with it as if we understood more than we can". And how good it is to have one's mind stretched to that understanding of "more.""--Virginia Quarterly ReviewReview Quotes
"When an extremely intellectual, extremely experienced, extremely wise man shares his thoughts with others, the result seizes the imagination at once. Such is the effect of these essays. . . . Barzun examines art as religion, as destroyer, as redeemer, and in relation to what he calls 'its tempter, science, ' but never forgets the basic essential. As he says, 'the last word on art should indeed be: mystery. But that need not stop any of us from dealing with it as if we understood more than we can.' And how good it is to have one's mind stretched to that understanding of 'more.'"-- "Virginia Quarterly Review"
About the Author
Jacques Barzun (1907-2012) was professor of history at Columbia University and the author of many books, including the bestselling From Dawn to Decadence: 500 Years of Western Cultural Life, 1500 to the Present; Simple and Direct; The Energies of Art; and The House of Intellect.Dimensions (Overall): 9.02 Inches (H) x 6.08 Inches (W) x .39 Inches (D)
Weight: .56 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 160
Genre: Art
Sub-Genre: Criticism & Theory
Publisher: Princeton University Press
Format: Paperback
Author: Jacques Barzun
Language: English
Street Date: June 21, 1975
TCIN: 94273487
UPC: 9780691018041
Item Number (DPCI): 247-01-8306
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.39 inches length x 6.08 inches width x 9.02 inches height
Estimated ship weight: 0.56 pounds
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