Tom Lloyd - (Hardcover)

Book Synopsis

A milestone publication shedding light on the groundbreaking contributions of an under-recognized artist whose art and activism resonates in contemporary culture

Published with Studio Museum in Harlem.

Collaborating with an engineer at the Radio Corporation of America, American artist Tom Lloyd developed a highly experimental and technologically advanced art practice in the 1960s that challenged popular understandings of the work and role of Black artists. In 1968 his pioneering artwork was the focus of the inaugural exhibition at the Studio Museum in Harlem, Electronic Refractions II.
Based on extensive new scholarship and intensive conservation work, this publication accompanies a landmark retrospective exhibition at the Studio Museum in Harlem exploring 20 years of the artist's career, including his pivotal contributions to the intersection of art and technology, and paying tribute to his activism. This is the first-ever comprehensive catalog on the artist and features an exclusive selection of never-before-seen images that chronicle Lloyd's career, including photographs of the artist collaborating with engineer Alan Sussman, nonextant works and past installations.
Designed by Miko McGinty and richly illustrated with full-color reproductions of artworks, studio photographs and an illustrated chronology, Tom Lloyd also includes new essays by former Studio Museum curator Connie H. Choi, conservator Reinhard Bek, historian Krista Thompson, Studio Museum senior curatorial assistant Habiba Hopson, and artists Paul Stephen Benjamin, Nikita Gale and Glenn Ligon.
Artist, activist and community organizer Tom Lloyd (1929-96) was an early pioneer of using electric light as an artistic medium. Born and raised in Jamaica, Queens, he was the founder of the Store Front Museum/Paul Robeson Theatre, Queens's first art museum.

Review Quotes

I wonder how many of the makers Lloyd nurtured in those years in Queens knew of his younger self, the artist who created light, and who now ... lives on in a Harlem version of Houston's Rothko Chapel: meditative but alive, pulsing to the rhythm of modern times and the flashes and lulls of life on the avenue, uptown and down.--Hilton Als "The New Yorker"

Though lesser-known to contemporary art audiences than many Black and kinetic artists of his generation, Lloyd remains something of a guiding light for the Studio Museum...--Thelma Golden "Artforum"