Wars We Never Fought - by Matthew B Hill & Leigha H McReynolds (Hardcover)

About the Book

Book Synopsis

A collection of essays examining how armed conflict functions as a subject, theme, metaphor, symbol, or plot device in popular works of speculative fiction, including novels, films, television, and video games.

Speculative fiction - genres such as science fiction, fantasy, utopian/dystopian, apocalyptic/post-apocalyptic, supernatural, horror, superhero, and alternative history - is, at this particular cultural moment, incontrovertibly popular. Despite the fact that war and its social, cultural, political, and moral consequences are often a driving force in speculative fiction narratives, exerting outsized influence on character development, structuring plot and conflict, and serving as a vehicle to explore various themes, there has been little critical attention given specifically to the intersection of these concepts.

Wars We Never Fought remedies this problem, as contributors analyze such popular texts as the Star Wars franchise, Ann Leckie's Imperial Radch trilogy, Dune, Mary Doria Russell's The Sparrow and Children of God, The Expanse series, Captain Marvel, and the Fallout game franchise. These essays offer accessible and wide-ranging critical insight into how and why creators of speculative fiction use war as a device within the diegetic worlds of their stories. They also look at what the depictions of war and warriors within these texts suggest regarding notions such as race, class, gender, sexuality, difference, sociopolitical power, and other cultural values.

Contextualizing the culture in which these narratives are created and consumed, Wars We Never Fought demonstrates how the textual dramatization of entirely fictitious wars might reflect, interrogate, and even structure understanding of warfare in the "real world."

Review Quotes

"This collection gives us unique insight into how often war has been imagined since the 19th century. It clearly shows how speculative war can be used right across media as an important means of social and cultural commentary." --David Seed, Professor of English, University of Liverpool, UK

"If you are interested in war you should read this collection. Wars always start in the imaginations of people and these fascinating essays explore one of the most important places in human culture where this happens. This is not only delightfully readable scholarship, but important as well. For it isn't just wars that start in the stories we tell ourselves, peace also starts there." --Chris Hables Gray, Continuing Lecturer, Crown College, University of California at Santa Cruz, USA

About the Author

Matthew B. Hill is Professor of English in the Humanities Department at Coppin State University, USA. His previous books include Dystopian States of America: Apocalyptic Visions and Warnings in Literature and Film (ABC-CLIO, 2022), Unconventional Warriors: The Fantasy of the American Resistance Fighter in Film and Television (Praeger, 2018), and The War on Terror and American Popular Culture (2009; with Andrew Schopp).

Leigha H. McReynolds is Assistant Clinical Professor at University of Maryland, USA, and teaches literature classes for the local D.C. bookstore, Politics and Prose. Her most recent publication is the chapter "Locations of Deviance: A Eugenics Reading of Dune" in Discovering Dune (2022).