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About this item
Highlights
- From one of America's finest experimental poets, this translation of a contemplation of the life of Lorine Niedecker, a stellar American poet of the mid-twentieth century.
- About the Author: Author of over fifteen collections of poetry and seven volumes of fiction, Jean Daive has been an important voice in French letters for over 35 years.
- 88 Pages
- Poetry, European
Description
About the Book
The latest book of poetry by one of France's most important post-'68 poets.Book Synopsis
From one of America's finest experimental poets, this translation of a contemplation of the life of Lorine Niedecker, a stellar American poet of the mid-twentieth century. This work stands as a monument to the important conversation between French and American experimental poets.
All the children are swaddled
as white
as
dried beans
sheltered from the air
for time
even recycles
pots
of jam
Indian graves
at lake
Koshkonong
and upon this memory
a ball rolls
up to the sacred
excavations.
The golfers
play
among the corpses.
Jean Daive is the author of fifteen volumes of poetry and seven works of fiction. He lives in Paris, France.
About the Author
Author of over fifteen collections of poetry and seven volumes of fiction, Jean Daive has been an important voice in French letters for over 35 years. His first publication, Décimale blanche, which came out in 1967, received much attention; his subsequent volumes have often been serial--Narration d'équilibre, Trilogie du temps, La Condition d'infini each explore a specific concept and/or formal question across three or more volumes. His work has received extensive critical attention both in full-length volumes and numerous articles. Also a translator, he has published translations of Celan and Creeley, among others. Daive has also exerted a considerable influence through his decades of work in radio as a producer at France Culture, as president of the Centre international de Poésie à Marseille (le CiPM), and as the founder and editor of three successive poetry journals, Fragment, which began in 1969, fig., in 1989, and Fin, in 1999. He lives and works in Paris. Norma Cole, born and raised in Canada, has been involved with contemporary French poetry since the late 1960s. In addition to volumes of poetry by Anne Portugal, Danielle Collobert, Fouad Gabriel Naffah, and Emmanuel Hocquard, she has translated a volume of critical work, Crosscut Universe (Burning Deck, 2000) and a book of interviews with Jean Daive. A student at New College of California in the 1980s and a close associate of Robert Duncan's, Cole has published over ten volumes of poetry, including a selected, Where Shadows Will (City Lights, 2009). Cole has also worked extensively as a visual artist, which has informed her several cross-media projects, from a CD-rom, SCOUT, (Krupskaya, 2004) to her much-vaunted four-month installation Collective Memory, which took the rich history of poetry and visual arts in the San Francisco Bay Area as its launching point (California Historical Society, 2004-2005). A collection of essays and talks, To Be At Music, was published by Omnidawn in 2010. She lives and works in San Francisco.Dimensions (Overall): 8.0 Inches (H) x 6.0 Inches (W) x .5 Inches (D)
Weight: .57 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 88
Genre: Poetry
Sub-Genre: European
Publisher: La Presse
Theme: French
Format: Paperback
Author: Jean Daive
Language: English
Street Date: April 17, 2012
TCIN: 1006379210
UPC: 9781934200513
Item Number (DPCI): 247-12-6727
Origin: Made in the USA or Imported
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Estimated ship weight: 0.57 pounds
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