About this item
Highlights
- From the founder of Los Cenzontles Cultural Arts Academy, a profoundly personal exploration of music's power to build cultural bridges that last.
- About the Author: Eugene Rodriguez is founder and executive director of Los Cenzontles Cultural Arts Academy, a nonprofit based in San Pablo, California.
- 224 Pages
- Biography + Autobiography, Cultural, Ethnic & Regional
Description
About the Book
"Part memoir and part history of the Bay Area youth musical group Los Cenzontles. Follows Rodriguez's own musical journeys, the group's connections with political and social activism, and the histories underlying numerous styles of music from Mexico"--Book Synopsis
From the founder of Los Cenzontles Cultural Arts Academy, a profoundly personal exploration of music's power to build cultural bridges that last.
"I wish I had studied with Eugene Rodrigeuz when I was growing up. Read this beautifully written book about culture, identity and resilience, and you will know why." --Linda Ronstadt
NPR Books We Love 2024: "[Rodriguez's] commitment to his community and his exploration of growing up bicultural are both inspiring."
From an early age Eugene Rodriguez knew he was captivated by music. But he found himself encountering the same two problems again and again: the chilly rigidity of so much formal music education, and the underrepresentation of Mexican culture in American media. In 1989 he founded Los Cenzontles (The Mockingbirds), a group that offered music education to Bay Area youth, and that gave pride of place to Mexican musical traditions.
Bird of Four Hundred Voices follows Rodriguez as he leads his young students from a California barrio to uncover their ancestral roots. From their home community in San Pablo, Los Cenzontles journey to fandangos in Veracruz, resurrect a lost mariachi tradition, and collaborate with luminaries like Linda Ronstadt, Lalo Guerrero, Taj Mahal, Jackson Browne, Flaco Jiménez, and Los Lobos. Rodriguez's story offers an honest, deeply personal look at the cultural work that confronts historical oppression and joyously challenges cultural borders. And it is a profound celebration of the powerful influence of Mexico's musical heritage on American culture.
Review Quotes
One of NPR's Best Books of 2024
Praise for Bird of Four Hundred Voices:
"Eugene Rodriguez's memoir is a testament to the power of music as a unifying force between different cultures. Through his creation of Los Cenzontles in 1989, Rodriguez defied the rigidity of formal education and championed Mexican musical heritage, revealing how music can transcend boundaries and heal historical wounds. Highlighting collaborations with icons like Linda Ronstadt, Flaco Jiménez and Los Lobos, this book is both a celebration of Mexican culture and a powerful exploration of persistence." --Roxsy Lin, Los Angeles Times
"The story Rodriguez tells is one of personal self-discovery through music and helping others find their place in Mexican folk music. His search for authentic Mexican folkloric expression mirrors a deep dive into his own identity as a California-born, Mexican American kid who felt he was from neither here nor there--ni de aqui ni de allá. His commitment to his community and his exploration of growing up bicultural are both inspiring. His story resonated deeply with this fellow California-born, Mexican American kid who has always loved Los Lobos as much as the Rolling Stones." --Felix Contreras, Alt.Latino
"The memoir makes obvious Rodriguez's zealous energy and efforts to counteract the invalidating of Mexican culture--and community-based youth organizations--in America, it does so through numerous stories of hard-fought battles over decades. [...] The book is an uplifting voyage and a tale well told with resilience, humor and wisdom." --SF Gate
"Bird of Four Hundred Voices is not only Rodriguez's own story of growing up a Mexican kid in Southern California, and his collaborations with such luminaries as Linda Ronstadt and Los Lobos, it's also the story of the Los Cenzontles Center and its efforts to amplify Mexican culture, particularly for Mexican Americans throughout the San Francisco Bay Area." --Lookout Santa Cruz
"Eugene teaches children the right music for the right reasons, not necessarily to be performers but to explore their own joys and sorrows. And then some might become professionals. I wish I had studied with him when I was growing up. Read this beautifully written book about culture, identity and resilience, and you will know why." --Linda Ronstadt
"For many years, I have been hearing of some kind of magic that Eugene Rodriguez was creating across San Francisco Bay, with an institute of serious fun. He named his enterprise after mockingbirds, Los Cenzontles. The mockingbird has no song of its own, but an imitative reverence to collect, to mimic, to preserve. This glorious memoir is unlike other ethnic memoirs I have read because, by eschewing politics in favor of Mexican popular culture, Eugene Rodriguez recollects his own growing appreciation of the play of Mexico within himself. For centuries Mexico has withstood political failures by means of the gathering festival--the union of old and young, the living and the dead, wit and romance, the sombrero's bow and the wise smile of the skull. In hardscrabble San Pablo, California, Eugene Rodriguez records his life's work first as student then as teacher: He has taught young men and women and children to dance and sing with the dead." --Richard Rodriguez, author of Hunger of Memory
"A son of so much: activism, history, art, pride, California, Mexico, the world. Each sentence, paragraph, page and story is a fandango for the soul." --Gustavo Arellano, L.A. Times columnist and author of Taco USA
"Firmly rooted in tradition and activism, Eugene Rodriguez's Bird of Four Hundred Voices brings us the extraordinary trajectory of one of the most renowned traditional Mexican dance advocates and attests to the tremendous power of cultural affirmation and celebration." --Norma E. Cantú, co-editor of Dancing Across Borders and editor of Chicana Traditions
About the Author
Eugene Rodriguez is founder and executive director of Los Cenzontles Cultural Arts Academy, a nonprofit based in San Pablo, California. He formed Los Cenzontles in 1989. Rodriguez has produced over thirty albums and numerous films for Los Cenzontles, and he has collaborated with Linda Ronstadt, Jackson Browne, Los Lobos, Lalo Guerrero, Ry Cooder, the Chieftains, and Taj Mahal. His work has been featured in the New York Times, the Los Angeles Times, the San Francisco Chronicle, and NPR. He is also the recipient of several awards and fellowships, including from the California Arts Council and United States Artists. He lives in Richmond, California.