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About this item
Highlights
- "Cleveland successfully problematizes the term Afro-Brazilian art as a category, challenging many assumptions about black art in Brazil specifically, and in the African Diaspora more broadly.
- About the Author: Kimberly L. Cleveland is assistant professor of art history at the Welch School of Art and Design at Georgia State University.
- 216 Pages
- Art, Caribbean & Latin American
Description
About the Book
An examination of the work of five contemporary Brazilian artists, specifically on how they focus on secular, race-related social challenges.Book Synopsis
"Cleveland successfully problematizes the term Afro-Brazilian art as a category, challenging many assumptions about black art in Brazil specifically, and in the African Diaspora more broadly."--Heather Shirey, University of St. Thomas "An insightful and clear discussion of the world of contemporary black art in Brazil. Cleveland's handling of the ways and means through which these artists deal with artistic production and its intersection with broader sociocultural and racial matters is spot-on. This is an important contribution to Afro-Brazilian studies."--Anani Dzidzienyo, Brown UniversityFor decades, Afro-Brazilian art was primarily associated with religious themes. However, developments in the national discourse on race, ethnicity, and black art in the latter part of the twentieth century have produced a shift away from sacred symbols to art more representative of the complete Afro-Brazilian experience. In this book, Kimberly Cleveland analyzes how certain modern and contemporary Brazilian artists visually convey "blackness." Through the work of Brazilian artists from different parts of the country who utilize a wide range of media, including photography, sculpture, and installation art, Cleveland investigates how each artist articulates "blackness" through his or her unique visual vocabulary and points out the ways it reflects their lived experiences. By examining how these artists explore their African cultural heritage, Cleveland reveals the many diverse ways artists confront social, economic, political, and historical issues related to race in Brazil. Most important, Black Art in Brazil highlights how the markers of black art and culture in Brazil have continued to grow and diversify.
From the Back Cover
"Cleveland successfully problematizes the term "Afro-Brazilian art" as a category, challenging many assumptions about black art in Brazil specifically, and in the African Diaspora more broadly."--Heather Shirey, University of St. Thomas "An insightful and clear discussion of the world of contemporary black art in Brazil. Cleveland's handling of the ways and means through which these artists deal with artistic production and its intersection with broader sociocultural and racial matters is spot-on. This is an important contribution to Afro-Brazilian studies."--Anani Dzidzienyo, Brown UniversityFor decades, Afro-Brazilian art was primarily associated with religious themes. However, developments in the national discourse on race, ethnicity, and black art in the latter part of the twentieth century have produced a shift away from sacred symbols to art more representative of the complete Afro-Brazilian experience.
In this book, Kimberly Cleveland analyzes how certain modern and contemporary Brazilian artists visually convey "blackness." Through the work of Brazilian artists from different parts of the country who utilize a wide range of media, including photography, sculpture, and installation art, Cleveland investigates how each artist articulates "blackness" through his or her unique visual vocabulary and points out the ways it reflects their lived experiences.
By examining how these artists explore their African cultural heritage, Cleveland reveals the many diverse ways artists confront social, economic, political, and historical issues related to race in Brazil. Most important, "Black Art in Brazil" highlights how the markers of black art and culture in Brazil have continued to grow and diversify.
Review Quotes
A terrific book .Cleveland s writing style, attention to the historical contexts of the themes she engages, and most centrally, her engagement with expressions of blackness, make this book a welcome contribution to the field. "Estudios Interdisciplinarios de America Latina y el Caribe""
About the Author
Kimberly L. Cleveland is assistant professor of art history at the Welch School of Art and Design at Georgia State University.Dimensions (Overall): 9.1 Inches (H) x 6.1 Inches (W) x .7 Inches (D)
Weight: .95 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 216
Genre: Art
Sub-Genre: Caribbean & Latin American
Publisher: University Press of Florida
Format: Hardcover
Author: Kimberly L Cleveland
Language: English
Street Date: May 28, 2013
TCIN: 1004453763
UPC: 9780813044767
Item Number (DPCI): 247-15-6124
Origin: Made in the USA or Imported
Shipping details
Estimated ship dimensions: 0.7 inches length x 6.1 inches width x 9.1 inches height
Estimated ship weight: 0.95 pounds
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