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About this item
Highlights
- Photographs have a crucial place in the representation of the atomic age and its anxieties.
- About the Author: John O'Brian is a curator, art historian and writer who has published more than a dozen books.
- 304 Pages
- Photography, History
Description
About the Book
"Published in conjunction with the exhibition Camera Atomica Art Gallery of Ontario 8 July 2014-25 January 2016"--Colophon.Book Synopsis
Photographs have a crucial place in the representation of the atomic age and its anxieties. Camera Atomica examines narratives beyond the 'technological sublime' that dominates much nuclear photography, suppressing representations of the human form in favor of representations of B-52 bombers and mushroom clouds.
The book proposes that the body is the site where the social environment interacts with the so-called 'atomic road': uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Cameras have both recorded and 'in certain instances' provided motivation for the production of nuclear events. Their histories and technological development are intimately intertwined: at McGill University in the early 1900s, for example, Ernest Rutherford employed photography to identify the properties of radioactive materials, winning a Nobel Prize for his research, and at Los Alamos in the mid-1940s, Julian E.Mack and Berlyn Brixner designed specialized cameras for measuring the blast yield of nuclear weapons. All photographs, including nuclear photographs, have the capability to function affectively by working on the emotions and fascinating audiences. Through a wide range of visual documentation, Camera Atomica raises questions such as: what has the role of photography been in underwriting a public image of the bomb and nuclear energy? Has the circulation of photographic images heightened or lessened anxieties, or done both at the same time? How should the different visual protocols of photography 'scientific, journalistic, documentary, touristic, and artistic 'be understood'?About the Author
John O'Brian is a curator, art historian and writer who has published more than a dozen books. He has taught art history at the University of British Columbia since 1987. During his tenure as the Brenda & David McLean Chair in Canadian Studies, UBC from 2008 to 2011, he explored the engagement of photography with the atomic era in Canada.
Dimensions (Overall): 9.8 Inches (H) x 7.3 Inches (W) x 1.1 Inches (D)
Weight: 2.8 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 304
Genre: Photography
Sub-Genre: History
Publisher: Black Dog Press
Format: Paperback
Author: John O'Brian
Language: English
Street Date: June 2, 2015
TCIN: 1005680612
UPC: 9781908966483
Item Number (DPCI): 247-25-4038
Origin: Made in the USA or Imported
Shipping details
Estimated ship dimensions: 1.1 inches length x 7.3 inches width x 9.8 inches height
Estimated ship weight: 2.8 pounds
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