About this item
Highlights
- George Chapman's translations of Homer are among the most famous in the English language.
- Author(s): Homer
- 520 Pages
- Poetry, Ancient & Classical
- Series Name: Bollingen
Description
Book Synopsis
George Chapman's translations of Homer are among the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the Odyssey (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction, textual notes, a glossary, and a commentary. Garry Wills's preface to the Odyssey explores how Chapman's less strained meter lets him achieve more delicate poetic effects as compared to the Iliad. Wills also examines Chapman's "fine touch" in translating "the warm and human sense of comedy" in the Odyssey.
Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold.
--John Keats
From the Back Cover
"Chapman's Homer provided for the Iliad and the Odyssey exactly what the King James Bible (also published in 1611) did for the Hebrew Bible and the New Testament in English: it offered a stylistically vigorous and morally powerful translation that has influenced generations of subsequent readers, even as new versions have proliferated."--Jan M. Ziolkowski, Harvard University
"Chapman's versions inspired English poets for centuries after his time. They rest on a minute and perceptive reading of the texts. And they retain their power to fascinate and provoke anyone interested in Homer and his afterlife, in Renaissance ideas about classical and modern poetry, or in the development of the language of English poetry."--Anthony T. Grafton, Princeton University
Review Quotes
"Each age approaches Homer, and particularly the Odyssey, with a kind of astonishment . . . Chapman was Shakespeare's contemporary. . . At times, noticing the epic sustainability of his verse, you get the feeling that he occupies a point on an imaginary line between Shakespeare and Milton. . ."---Nicholas Lezard, The Guardian
"In Chapman's Whole Works of Homer . . . English is spendthrift, inebriate with waste motion, at times precious and as yet uncertain of its coruscating force. It is also the language of Elizabethan and Jacobean drama, charged with sensory, corporeal thrust. At moments, it is already exact in that manual, pragmatic vein which is the virtue of English. At others, it comes armed with lyric sorrow. Homer, as Chapman construes him . . . makes the English language know itself and impels it to cast its lexical-grammatical net over a thronging prodigality of life."---George Steiner, Homer in English