Cinepoetry - (Verbal Arts: Studies in Poetics) by Christophe Wall-Romana (Paperback)
About this item
Highlights
- Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century.
- About the Author: Christophe Wall-Romana is Associate Professor of French at the University of Minnesota.
- 504 Pages
- Literary Criticism, European
- Series Name: Verbal Arts: Studies in Poetics
Description
About the Book
The book examines how 19th- and 20th-century French-speaking poets have used cinema for cross-medium writing experiments, especially in the aftermath of the two world wars, thereby altering modernist literary imagination.Book Synopsis
Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.
In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.Review Quotes
"Wall-Romana uncovers a not previously recognized genre in French
literature: cinepoetry: a modernist poem that responds to challenges
the cinema posed to writing. This book traces the new genre from
Mallarme's Une Coup de Des to contemporary work, revealing how poets
have found inspiration in cinema's visuality, control of movement and
projected light -- and in the process discovered new forms for poetry."
About the Author
Christophe Wall-Romana is Associate Professor of French at the University of Minnesota.Shipping details
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