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About this item
Highlights
- The 1998 Bienal de São Paulo remade art history from a Brazilian perspective, and presented a new model for exhibition-making in the era of postcolonial globalization.
- 216 Pages
- Art, Criticism & Theory
Description
Book Synopsis
The 1998 Bienal de São Paulo remade art history from a Brazilian perspective, and presented a new model for exhibition-making in the era of postcolonial globalization. The show employed the Brazilian notion of anthropophagy as both concept and method, encouraging "contamination" and "cannibalization" of the canon. By doing so it proposed a new model for large-scale curatorial projects that could effectively address nonspecialist audiences. Photographs and gallery plans reconstruct this important project, and an essay by Lisette Lagnado provides critical analysis and historical context. Additional texts by Renato Sztutman, Mirtes Marins de Oliveira and Carmen Mörsch and Catrin Seefranz are complemented by recent interviews with curator Paulo Herkenhoff and participating artists.Dimensions (Overall): 8.5 Inches (H) x 6.1 Inches (W) x .9 Inches (D)
Weight: 1.4 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 216
Genre: Art
Sub-Genre: Criticism & Theory
Publisher: Afterall Books
Format: Paperback
Language: English
Street Date: October 27, 2015
TCIN: 1004682930
UPC: 9783863355548
Item Number (DPCI): 247-18-0739
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.9 inches length x 6.1 inches width x 8.5 inches height
Estimated ship weight: 1.4 pounds
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