Experimentations - by Branden Wayne Joseph (Paperback)

About the Book

The first detailed exploration of avant-garde composer John Cage's interactions with art and architecture as a means of understanding the aesthetic and political stakes of his career.

Book Synopsis

Experimentations provides a detailed historical and theoretical analysis of the first three decades of experimental composer John Cage's aesthetic production (ca. 1940-1972). Paying particular attention to Cage's inter- and cross-disciplinary engagements with the visual arts and architecture during this period, the book sheds new light on some of Cage's most controversial and influential innovations, such as the use of noise, chance techniques, indeterminacy, electronic technologies, and computerization, as well as upon lesser known but important ideas and strategies such as transparency, multiplicity, virtuality, and actualization. Ultimately, it traces the development of Cage's avant-garde aesthetic and political project as it transformed from the emulation of historical avant-garde precedents such as futurism and the Bauhaus, to the development of important precedents for the post-World War II movements of happenings and Fluxus, to its ultimate abandonment in the aftermath of problems encountered in the vast, multimedia composition HPSCHD (1967-69).

Review Quotes

"Experimentations: John Cage in Music, Art, and Architecture is a brilliant and vital critical contribution to the growing body of art historical scholarship on John Cage's multidisciplinary legacy. The readymade Cage of chance and silence is replaced by a rich and nuanced narrative of a compositional practice nourished by its evolving and often conflicted exchanges with the artistic, architectural and political avant-gardes." - Ina Blom, Professor, Department of Philosophy, Classics, History of Art and Ideas, University of Oslo, Norway

"With great musical and historical sensitivity Joseph unpacks John Cage's struggles, on the one hand, with Beethoven, Schoenberg, Stockhausen--the whole weighty European musical tradition, and on the other, with changing notions of experimentation and the avant-garde. What emerges is an artist who places music in the service of remaking the entire institution of art. Joseph succeeds in writing a brilliant book that is equally captivating for musicians and art historians." - Alexander Rehding, Professor of Music, Harvard University, USA

"...Experimentations: John Cage in Music, Art, and Architecture provides its reader with an overview of Branden W. Joseph's two-decade engagement with John Cage and represents some of the most intellectually rigorous writing about the composer ... nuanced and important." - Critical Inquiry

About the Author

Branden W. Joseph is Frank Gallipoli Professor of Modern and Contemporary Art at Columbia University. He is the author of four books, including Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage (2008) and Random Order: Robert Rauschenberg and the Neo-Avant-Garde (2003), which appeared in French translation in 2012.