Invisible Architecture in Nineteenth-Century Literature - (Edinburgh Critical Studies in Victorian Culture) by Ben Moore

About the Book

Rethinks the relationship between architecture, literature and (in)visibility in the nineteenth-century city

Book Synopsis

Ben Moore presents a new approach to reading urban modernity in nineteenth-century literature, by bringing together hidden, mobile and transparent features of city space as part of a single system he calls 'invisible architecture'. Resisting narratives of the nineteenth-century as progressing from concealment to transparency, he instead argues for a dynamic interaction between these tendencies. Across two parts, this book addresses a range of apparently disparate buildings and spaces. Part I offers new readings of three writers and their cities: Elizabeth Gaskell and Manchester, Charles Dickens and London, and Émile Zola and Paris, focusing on the cellar-dwelling, the railway and river, and the department store respectively. Part II takes a broader view by analysing three spatial forms that have not usually been considered features of nineteenth-century modernity: the Gothic cathedral, the arabesque and white walls. Through these readings, the book extends our understanding of the uneven modernity of this period.

From the Back Cover

[headline]Rethinks the relationship between architecture, literature and (in)visibility in the nineteenth-century city Ben Moore presents a new approach to reading urban modernity in nineteenth-century literature, by bringing together hidden, mobile and transparent features of city space as part of a single system he calls 'invisible architecture'. Resisting narratives of the nineteenth-century as progressing from concealment to transparency, he instead argues for a dynamic interaction between these tendencies. Across two parts, this book addresses a range of apparently disparate buildings and spaces. Part I offers new readings of three writers and their cities: Elizabeth Gaskell and Manchester, Charles Dickens and London, and Émile Zola and Paris, focusing on the cellar-dwelling, the railway and river, and the department store respectively. Part II takes a broader view by analysing three spatial forms that have not usually been considered features of nineteenth-century modernity: the Gothic cathedral, the arabesque and white walls. Through these readings, the book extends our understanding of the uneven modernity of this period. [bio]Ben Moore is Assistant Professor in English Literature at the University of Amsterdam, Netherlands. He is the author of Human Tissue in the Realist Novel, 1850-1895 (2023) and Co-Editor of the Gaskell Journal. His work has appeared in journals including Victorian Literature and Culture, Modernism/modernity, Modern Language Review and the Journal of Victorian Culture, as well as in various handbooks and edited collections.

Review Quotes

Challenging a straightforward visible/invisible dichotomy, Invisible Architecture animates literature and architecture as a dynamic relation adept at registering the energy, transitions and turbulence of urban modernity so central to nineteenth century life. Readers interested in spatial relations, cities, and the category of literature will all gain much from this book.

--Barbara Leckie, Carleton University

About the Author

Ben Moore is Assistant Professor in English Literature at the University of Amsterdam. His research areas include nineteenth-century literature, cities, money, modernity, childhood and the human. He is the author of Human Tissue in the Realist Novel, 1850-1895 (Palgrave 2023) and Co-Editor of the Gaskell Journal. His work has appeared in journals including Victorian Literature and Culture, Modernism/modernity, Modern Language Review and the Journal of Victorian Culture, as well as in various handbooks and edited collections.