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Knock Me Up, Knock Me Down - by Kelly Oliver (Paperback)

Knock Me Up, Knock Me Down - by  Kelly Oliver (Paperback) - 1 of 1
$32.00 when purchased online
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About this item

Highlights

  • No longer is pregnancy a repulsive or shameful condition in Hollywood films, but an attractive attribute, often enhancing the romantic or comedic storyline of a female character.
  • About the Author: Kelly Oliver is W. Alton Jones Professor of Philosophy at Vanderbilt University and the author of Animal Lessons: How They Teach Us To Be Human; Women as Weapons of War: Iraq, Sex and the Media; The Colonization of Psychic Space: Toward a Psychoanalytic Social Theory; Noir Anxiety: Race, Sex, and Maternity in Film Noir; Witnessing: Beyond Recognition; Subjectivity Without Subjects: From Abject Fathers to Desiring Mothers; Family Values: Subjects Between Nature and Culture; Womanizing Nietzsche: Philosophy's Relation to "the Feminine;" and Reading Kristeva: Unraveling the Double-Bind.
  • 248 Pages
  • Performing Arts, Film

Description



Book Synopsis



No longer is pregnancy a repulsive or shameful condition in Hollywood films, but an attractive attribute, often enhancing the romantic or comedic storyline of a female character. Kelly Oliver investigates this curious shift and its reflection of changing attitudes toward women's roles in reproduction and the family. Not all representations signify progress. Oliver finds that in many pregnancy films, our anxieties over modern reproductive practices and technologies are made manifest, and in some cases perpetuate conventions curtailing women's freedom. Reading such films as Where the Heart Is (2000), Riding in Cars with Boys (2001), Palindromes (2004), Saved! (2004), Quinceañera (2006), Children of Men (2006), Knocked Up (2007), Juno (2007), Baby Mama (2008), Away We Go (2009), Precious (2009), The Back-up Plan (2010), Due Date (2010), and Twilight: Breaking Dawn (2011), Oliver investigates pregnancy as a vehicle for romance, a political issue of "choice," a representation of the hosting of "others," a prism for fears of miscegenation, and a screen for modern technological anxieties.



Review Quotes




Clearly written...this book could serve...as a core text in a course on women in film.-- "Choice"

Oliver's convincing conclusion is that in Hollywood films pregnant women may have become objects of desire, but they are not allowed to become desiring subjects...--Fran Bigman "Times Literary Supplement"

A wonderful, insightful, riveting, and entertaining romp.--Kalpana Rahita Seshadri, Boston College



About the Author



Kelly Oliver is W. Alton Jones Professor of Philosophy at Vanderbilt University and the author of Animal Lessons: How They Teach Us To Be Human; Women as Weapons of War: Iraq, Sex and the Media; The Colonization of Psychic Space: Toward a Psychoanalytic Social Theory; Noir Anxiety: Race, Sex, and Maternity in Film Noir; Witnessing: Beyond Recognition; Subjectivity Without Subjects: From Abject Fathers to Desiring Mothers; Family Values: Subjects Between Nature and Culture; Womanizing Nietzsche: Philosophy's Relation to "the Feminine;" and Reading Kristeva: Unraveling the Double-Bind.
Dimensions (Overall): 8.1 Inches (H) x 5.5 Inches (W) x .7 Inches (D)
Weight: .7 Pounds
Suggested Age: 22 Years and Up
Sub-Genre: Film
Genre: Performing Arts
Number of Pages: 248
Publisher: Columbia University Press
Theme: History & Criticism
Format: Paperback
Author: Kelly Oliver
Language: English
Street Date: October 9, 2012
TCIN: 93302116
UPC: 9780231161091
Item Number (DPCI): 247-48-0603
Origin: Made in the USA or Imported
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Shipping details

Estimated ship dimensions: 0.7 inches length x 5.5 inches width x 8.1 inches height
Estimated ship weight: 0.7 pounds
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