Magnolia Canopy Otherworld - by Erin Carlyle (Paperback)

About the Book

Erin Carlyle's Magnolia Canopy Otherworld creates a powerful portrait of rural struggle in America with empathetic insights into poverty, the opioid crisis, and female autonomy.

Book Synopsis

Erin Carlyle's Magnolia Canopy Otherworld creates a powerful portrait of rural struggle in America with empathetic insights into poverty, the opioid crisis, and female autonomy.

Magnolia Canopy Otherworld is stunning collection of poetry that captures rural American life in its many complex shades.

Carlyle's writing is suffused with equal parts surreal imagery and harrowing reality. In the world of these poems, ghosts exist alongside overdoses; Appalachian folklore is neighbors with the modern struggle of poverty in rural America.

This collection also pays special attention to womanhood, specifically how it is challenged and abused in rural communities. Carlyle shares intimate thoughts and memories in these poems that paint a painful but ultimately hopeful picture of what being a woman in America is (and should) be like.

Readers looking for poetry about the American south and Appalachia can do no better than Magnolia Canopy Otherworld. These are tender, generous, haunting poems that reveal an often-overlooked subset of America struggling to redefine themselves in an ever-changing world.

This collection also features a bespoke interview with the writer at then end of the book, delving deeper into the craft, influences, and life behind their work.

Review Quotes

"Carlyle spins lyrical realities and grim fantasies in her first collection of poetry. Set against the dreamy backdrop of an uncanny American South, the poet weaves together more than 30 poems that explore family dynamics, awakening sexuality, unexpected dangers, and the lasting, systemic effects of poverty and drug abuse. The author draws from her own upbringing in Kentucky and Alabama but infuses her recollections with fairy-tale logic and mythic figures. Some girls are depicted as ghostly sirens in creeks or as corpses that eerie "Rivermen" might dredge up. The woods are populated with strange desires, and there are references to the Animal, a totemic creature apparently located at the precipice of puberty. A pain clinic is portrayed as both a church and temptation, with the pills it doles out as the only communion available. Carlyle's poetry will absorb readers with lush imagery that doesn't shy away from the carnal and disturbing: "What man made their bodies into tables-arms and legs bent backward, / a coffee cup on the sternum?" The poetry also makes use of space, with stanzas strategically formatted to draw attention to specific thoughts or words and entire sections that call back to others, adding to the cyclical, fablelike quality of the collection. Carlyle's poems resonate with lived experience; in an interview, she acknowledges that some of her subject matter was influenced by her family's struggles with opioids, which contributed to her father's death in 2019. There's a clear sense of loss in these poems, which helps to transform a paean to rural adolescent girlhood into a catharsis for both the poet and the reader. A set of works suffused with wonder, terror, and honesty."

- Kirkus Starred Review

"Magnolia Canopy Otherworld explores the places that hold the muddied and forested histories of women. Sensory and sensual, Erin Carlyle's poems portray an elemental girlhood, and the fragility and publicness of a body, even in the woods. These poems are full of dangerous baptisms, teeth and hooks, gothic flora and their attendant ghosts. Carlyle's style is lush and lovely, but always tugging with its dark undertow until we feel our own animal selves rise out at the end, gasping and human again."

- Traci Brimhall, author of our lady of the ruins

"Erin Carlyle's Magnolia Canopy Otherworld is a book of precise, gemlike images, where beneath the duende-soaked landscape of rivers, rabbits, trailers, and woodlots, the evidence of patriarchal damage lurks like an undertow. As an act of resistance, Carlyle sets before us the world we have been taught to ignore and says look: the roadkill, the small child wandering alone, the desolation of addiction, the woman-as-object. Wherever the poet casts her eye, the ghosts of violence, family, adolescence, and loss materialize and their visitations are traced with an urgent lyricism that is both gritty and graceful. Open these pages and watch as Erin Carlyle calls forward the drowned girls in their matching white dresses. Be ready for her to interrupt your life with poem after stunning poem in this haunting and arresting debut."

- F. Daniel Rzicznek, author of Settlers