About this item
Highlights
- The detective story, focused on inquiries, and in its wake the spy novel, built around conspiracies, developed as genres in the late nineteenth and early twentieth centuries.
- About the Author: Luc Boltanski is Professor of Sociology at the L'École des Hautes Études en Sciences Sociales, Paris.
- 320 Pages
- Literary Criticism, Mystery & Detective
Description
About the Book
First published in French by Editions Gallimard, Paris in 2012.Book Synopsis
The detective story, focused on inquiries, and in its wake the spy novel, built around conspiracies, developed as genres in the late nineteenth and early twentieth centuries. During the same period, psychiatry was inventing paranoia, sociology was devising new forms of causality to explain the social lives of individuals and groups and political science was shifting the problematics of paranoia from the psychic to the social realm and seeking to explain historical events in terms of conspiracy theories. In each instance, social reality was cast into doubt. We owe the project of organizing and unifying this reality for a particular population and territory to the nation-state as it took shape at the end of the nineteenth century.Thus the figure of conspiracy became the focal point for suspicions concerning the exercise of power. Where does power really lie, and who actually holds it? The national authorities that are presumed to be responsible for it, or other agencies acting in the shadows - bankers, anarchists, secret societies, the ruling class? Questions of this kind provided the scaffolding for political ontologies that banked on a doubly distributed reality: an official but superficial reality and its opposite, a deeper, hidden, threatening reality that was unofficial but much more real. Crime fiction and spy fiction, paranoia and sociology - more or less concomitant inventions - had in common a new way of problematizing reality and of working through the contradictions inherit in it.
The adventures of the conflict between these two realities - superficial versus real - provide the framework for this highly original book. Through an exploration of the work of the great masters of detective stories and spy novels - G.K. Chesterton, Arthur Conan Doyle, John Le Carré and Graham Greene among others - Boltanski shows that these works of fiction and imagination tell us something fundamental about the nature of modern societies and the modern state.
Review Quotes
"An ambitious investigation of crime fiction and its relation to modern society"
Times Higher Education
Most of us take for granted the idea that the social world has a front stage made of rules and norms and a backstage of "intrigues," "invisible plots," and "hidden intentions." When did that sense of a reality behind the reality of things develop? In this enigmatic book, Boltanski tracks down this new construction of a paranoid reality through a highly original reading of detective and spy novels, in which he detects the emergence of a sense that a sense that the real reality of things is concealed and malevolent. This book is both singular and provocative and resembles no other work of sociology I have read. It is a mixture of sociology of literature, of meta-sociological theory, sociology of institutions, and, perhaps mostly, sociology of modernity. It will be a needed complement to the classic The Social Construction of Reality.
Eva Illouz, Hebrew University of Jerusalem
About the Author
Luc Boltanski is Professor of Sociology at the L'École des Hautes Études en Sciences Sociales, Paris.