Palaver - by Bryan Washington (Hardcover)

About the Book

"The story of a mother and a son, estranged for ten years, reconnecting in the son's chosen city of Tokyo in the weeks leading up to Christmas"--Provided by publisher.

Book Synopsis

Finalist for the National Book Award for Fiction

"A heart-wrenchingly honest, often luminescent exploration of how to find and cultivate true connections, sometimes in the unlikeliest of places . . . [Palaver is] an unshakable triumph."--The Washington Post

One of TIME's Must-Read Books of 2025 and Kirkus' Best of Fiction 2025
One of The Washington Post's Best Fiction Books of the Year
Named a Most Anticipated Book by the New York Times, New York, Time, the Boston Globe, the Los Angeles Times, Rolling Stone, People, Harper's Bazaar, Bustle, and Town & Country

A life-affirming novel of family, mending, and how we learn to love, from the award-winning Bryan Washington.

In Tokyo, the son works as an English tutor and drinks his nights away with friends at a gay bar. He's entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his mother in Houston, whose preference for the son's oft-troubled homophobic brother, Chris, pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they last saw each other, the mother arrives uninvited on his doorstep.

With only the son's cat, Taro, to mediate, the two of them bristle at each other immediately. The mother, wrestling with memories of her youth in Jamaica and her own complicated brother, works to reconcile her good intentions with her missteps. The son struggles to forgive. But as life steers them in unexpected directions--the mother to a tentative friendship with a local bistro owner and the son to a cautious acquaintance with a new patron of the bar--they begin to see each other more clearly. During meals and conversations and an eventful trip to Nara, mother and son try as best they can to determine where "home" really is--and whether they can even find it in one another.

Written with understated humor and an open heart, moving through past and present and across Houston, Jamaica, and Japan, Bryan Washington's Palaver is an intricate story of family, love, and the beauty of a life among others.

Review Quotes

"Bryan Washington is, in my opinion, one of the best fiction writers out there. [His novels] are all so perfectly tuned into the emotions, interiorities, and relationships of their characters that they are a joy to read from start to finish . . . Like all of Washington's books, [Palaver] is rich with character, place, humor, and love."
--Sarah Neilson, them

"It's Washington's first novel where Houston is more of a ghost than [a] living, breathing thing. It's a compelling shift . . . As is always the case with Washington, the answer isn't neat, but Palaver isn't absent of catharsis. There are lots of moments where the characters catch you off guard with their observations, reminiscent of when a friend randomly says a deeply profound thing while you're having a totally ordinary conversation. Overall, a welcome return to Washington's world."
--Tembe Denton-Hurst, The Cut

"Bryan Washington writes about queer relationships and parent-child tensions like he's working with a fine-toothed comb. The emotion he manages to convey in a single line of dialogue? Incredible . . . This is a beautiful, beautiful book."
--Lauren Puckett-Pope, Elle (Best of Fall)

"Understated yet potent . . . Washington examines varying experiences of displacement, writing with tenderness about the tolls of emigration and exile, both cultural and familial . . . The text is enhanced by the inclusion of numerous black-and-white photographs of Tokyo."
--The New Yorker

"Palaver's broken parent-child bond starts off as defining but melts into part of a whole network of connections. As one character remarks, others 'help us see ourselves clearer' . . . This is Washington's best and most moving work yet."
--Rebecca Foster, Shelf Awareness (starred review)

"[Palaver's] rhythmic interweaving is quite an achievement; the frequent set changes, rather than disrupting or fracturing the narrative, inculcate a hypnotic desire in the reader to keep looking."
--Hannah Gold, The New York Times

"This novel feels like a hug. One of those redemptive hugs that comes after a difficult but necessary conversation . . . [The mother and son's] awkward, emotionally raw--and often very funny--conversations find them undertaking the quiet, complicated work of trying to understand each other."
--Apple Books (Staff Pick)

"In between deep dives into the past are wonderfully moody, wholly immersive snapshots of the characters' intersecting present lives, which both propel the narrative forward and contribute to some of its magic . . . A heart-wrenchingly honest, often luminescent exploration of how to find and cultivate true connections, sometimes in the unlikeliest of places . . . ['Palaver' is] an unshakable triumph."
--Alexis Burling, The Washington Post

"Palaver's broken parent-child bond starts off as defining but melts into part of a whole network of connections. As one character remarks, others 'help us see ourselves clearer' . . . This is Washington's best and most moving work yet."
--Rebecca Foster, Shelf Awareness (starred review)

"Tender . . . [Palaver] is a book that lunges ahead, demonstrating Washington's maturation as a writer and artist, building atop the thematic and stylistic work debuted in his prior works with stunning realization."
--Henry Hicks IV, Brooklyn Rail

"Textured and bracingly real depictions of queer intimacy, sex, family, and grief . . . Washington always writes complicated gays and complicated mother/son relationships so well, and [Palaver] continues that work."
--Kayla Kumari Upadhyaya and Riese, Autostraddle

"[Palaver] is permeated by a deep affection for the city of Tokyo, its cuisine, its mass transit, its look and feel . . . The unpretentious way Washington writes about food is a throughline in his work, from Lot to Memorial to Family Meal. Somehow his simple menu descriptions are enough to incite ravenous hunger . . . Enough for the reader who appreciates texture and delicacy, queer authenticity, and a well-placed crisped oyster."
--Marlon Winik, The Boston Globe

"Bryan Washington is one of the most sensual and emotionally captivating writers out there. His sparse yet resplendent style could be considered Hemingway-esque, but his terseness isn't muscular, it's musical, with a keen ear for the rhythms of speech and thought, the rubato ways that moods can change . . . With Palaver, Washington has again proven himself to be a genius of feeling, a writer who resuscitates our hearts with every word."
--Eric A. Ponce, BookPage (starred review)

"A bighearted drama . . . The situation is rather straightforward, but Washington's nuanced portrait of the gulf between mother and son and their difficulties bridging it offers keen insights into human relationships . . . The author's fans will love this."
--Publishers Weekly

"Rendered in a taut, affecting prose, Washington's third novel portrays a queer Black man's attempts to reconcile emotions surrounding his estranged mother and conflicted relationships from Jamaica to Texas to Japan."
--Hamilton Cain, The Boston Globe (Best New Fall Books)

"An intimate look at a young gay man struggling to reconcile with his family."
--Time (Best Fall Books)

"[Bryan Washington] is at his best when drawing stark lines between distant cities and people. While Palaver drops readers directly into an argumentative and reeling household, the resulting novel is quiet, specific, and, ultimately, a uniquely beautiful read."
--CT Jones, Rolling Stone

"Tender and endearing . . . Count on Washington for stylish tales with emotional depth and, always, delicious-sounding food."
--Library Journal (starred review)

"It's remarkable how delicately and finely Washington metes out the emotional journeys for both mother and son . . . He's skillful at conveying the ways in which small, even tiny acts of kindness can heal . . . A patient, powerful analysis of the dual devotion required to heal a fractured relationship."
--Kirkus Reviews

"Few writers write about tenderness as Bryan Washington does--unadorned tenderness that is full of heart and humor but steers clear from familiar sentimentalities and convenient solutions. With deep understanding of human relationships, Palaver is a rare novel that offers companionship to solitary readers and lonely souls."
--Yiyun Li, author of Things in Nature Merely Grow

"Palaver is the pinnacle of what has become Washington's classic approach to writing: care, humor, tenderness, and an embrace of human beings at their most vulnerable, lovely, and wounded. It's such a joy to see the summation of his generosity of thinking and living actualized in the sentence. Fiction--no--life is better because Washington is writing."
--Ocean Vuong

"Gripping, beautiful, honest, unlike anything else on the bookshelf! A great work by one of America's greatest young writers, Palaver will break and remake your heart. A book I will be sending to everyone I know."
--Andrew Sean Greer, Pulitzer Prize-winning author of Less and Less Is Lost

"Palaver is an intimate, ambulatory, and deeply human reflection on family and home--on what we choose and what's already chosen for us. It's about our flawed attempts at loving and being loved, forgiving and being forgiven. It's the rare novel that manages to be funny and sad and honest all at once--awake to the mundane miracles of our lives. Bryan Washington is one of a kind."
--Rachel Khong, author of Real Americans

"The gift of reading Bryan Washington's tender, funny, profoundly compassionate fiction is like sinking finally into a warm bath: a prose that stirs all those sore places that have lingered unspoken in us--and then meets them with Washington's singular, achingly gentle attention, warmth, and solace. Palaver is a quiet knockout of a novel, a book like a yearning hand stretched out to the wide world (even if a car crashes into it!), and most of all a book that knows all family stories (that is, stories about all the possible definitions of family) are also love stories, complete with the heartbreak, loss and betrayal--but also the luminous hope of repair, recovery, and reconciliation."
--Elaine Castillo, author of Moderation

"Palaver has my heart. The days have felt less heavy while I've gotten to spend time in the novel's capacious world and I can already tell I'll want to reread soon. Bryan Washington is a genius and you want this gorgeous book."
―R.O Kwon, author of Exhibit

"[Bryan Washington] is a technically dazzling writer."
--Alan Hollinghurst, author of Our Evenings

"Bryan Washington speaks for people who have too long been silenced, and the voice he has found for them is defiant, compassionate, decent and profoundly human."
--Damon Galgut, author of The Promise

About the Author

Bryan Washington is the author of the story collection Lot and the novels Memorial and Family Meal. A National Book Foundation 5 Under 35 Honoree, he is the winner of the Dylan Thomas Prize, the NYPL Young Lions Fiction Award, two Lambda Literary Awards, and a PEN/O. Henry Prize, and he has been a finalist for the National Book Critics Circle Award for Fiction, the Aspen Words Literary Prize, the Center for Fiction First Novel Prize, the Andrew Carnegie Medal for Excellence in Fiction, and the James Tait Black Prize. A frequent contributor to The New Yorker and The New York Times food section, his writing has also appeared in The New York Times Magazine, Time, and The Paris Review Daily. Raised in Texas, he lives in Houston and Japan.