Queer Country - (Music in American Life) by Shana Goldin-Perschbacher (Paperback)
About this item
Highlights
- A Variety Best Music Book of 2022 A No Depression Most Memorable Music Book of 2022A Library Journal Best Arts and Humanities Book of 2022A Pitchfork Best Music Book of 2022A Boot Best Music Book of 2022A Ticketmaster Best Music Book of 2022A Happy Magazine Best Music Book of 2022Woody Guthrie First Book Award winnerAwarded a Certificate of Merit in the 2023 ARSC Awards for Excellence in Historical Recorded Sound Research in the category Best Historical Research in Country, Folk, Roots, or World Music.
- About the Author: Shana Goldin-Perschbacher is an assistant professor of music studies in the Boyer College of Music and Dance at Temple University.
- 288 Pages
- Music, Genres & Styles
- Series Name: Music in American Life
Description
About the Book
"Country music is often said to be "three chords and the truth." But the country music industry and related musical genres have not been particularly friendly to queer or trans musicians. Queer country musicians have developed a strategy of sincerity to engage critically with the postmodern deconstruction of essentialism (through which queer and trans experience has been understood as liberatory but also dangerously rebellious) while continuing to desire authenticity (in which their identities are accepted as real, human, and understandable to a cisgender and straight audience). Queer Country argues that country and folk music's fraught framing of common personhood, authenticity, and otherness (concepts especially important to and actively debated among transgender and queer people) are appealing in order to create stories of self, yet they simultaneously invite critique of tradition. Queer Country identifies a meaningful development in modern queer and transgender life and contemporary vernacular music, using ethnography, musical analysis, and historical methods to understand its contributions to changing notions of gender, genre, and tradition"--Book Synopsis
- A Variety Best Music Book of 2022
- A No Depression Most Memorable Music Book of 2022
- A Library Journal Best Arts and Humanities Book of 2022
- A Pitchfork Best Music Book of 2022
- A Boot Best Music Book of 2022
- A Ticketmaster Best Music Book of 2022
- A Happy Magazine Best Music Book of 2022
- Woody Guthrie First Book Award winner
- Awarded a Certificate of Merit in the 2023 ARSC Awards for Excellence in Historical Recorded Sound Research in the category Best Historical Research in Country, Folk, Roots, or World Music.
Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X. Many of these musicians place gender and sexuality front and center even as it complicates their careers. But their ongoing efforts have widened the circle of country/Americana by cultivating new audiences eager to connect with the artists' expansive music and personal identities.
Detailed and one-of-a-kind, Queer Country reinterprets country and Americana music through the lives and work of artists forced to the margins of the genre's history.
Review Quotes
"A dynamic, much-needed read." --Variety
"Essential Reading." --No Depression
"An important work." --Washington Blade
"Shana Goldin-Perschbacher's examination of the history of the artists that proudly declared their sexuality displays how the fearlessness of earlier generations made things possible for today's artists that previously weren't." --The Boot
"At this unprecedented moment when queer artists dominate the Americana Awards nominations, Shana Goldin-Perschbacher's Queer Country arrives offering a timely, necessary, and radically fresh perspective on roots music--as a space for expression of sincerity by queer and trans artists." --Nadine Hubbs, author of Rednecks, Queers, and Country Music "Shana Goldin-Perschbacher's Queer Country shines a light on the long-overlooked but persistent and subversive community of queer musicians in country music history. Of course, we have been there all along! Her in-depth explorations into the voice of each musician explored are lively, personal, and emotional depictions. In French, the word for gender is genre. This is no coincidence! Goldin-Perschbacher connects the dots for us in her exploration of many transgender and queer folks playing country music. The connections are sheer magic, obvious at second glance, and very insightful. Discover why transgender artists defy genre--get it? Just because we are queer doesn't mean we are carbon copies. Goldin-Perschbacher allows each of us to share our light in personal, social, and political motifs. We are all unique, but bound to one another in our struggles to liberate country music from its stereotypical and corporate confinements. Queer Country rips the cover off these and exposes the truths that have existed from the beginning."--Patrick Haggerty, recording artist, Lavender Country (1973)
"Goldin-Perschbacher uncovers a treasure trove of non-binary and queer artists working in what has long been a conservative, male-dominated field." --Ticketmaster
"An empathetic and illuminating study, sure to expand country playlists. For scholars interested in queer studies and fans of country music." --Library Journal
"Goldin-Perschbacher's research is meticulous, making the book particularly welcome. . . . Recommended." --Choice
"Thought-provoking. The author offers a number of valuable insights into the music and you find yourself considering the white patriarchy that has dominated most genres of the music industry, but in particular, aspects of roots music, especially country, and how that has worked not only against LGBT musicians but also women, Black artists and other marginalized sections of society. On the surface, this would appear to be a book aimed at a niche market. In fact, it addresses issues that should be important to all of us." --Americana UK
"Dazzling." --Country Queer
About the Author
Shana Goldin-Perschbacher is an assistant professor of music studies in the Boyer College of Music and Dance at Temple University.