Representations of Renaissance Monarchy - by Lisa Mansfield (Hardcover)

About the Book

Representations of Renaissance monarchy analyses the portraits and personal imagery of Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects and Tudor and Habsburg rivals abroad. Complementing studies on the representation of Henry VIII, this book makes a dynamic contribution to scholarship on the enterprise of royal image-making in early modern Europe. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture.

Book Synopsis

Representations of Renaissance monarchy analyses the portraits and personal imagery of Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects, and Tudor and Habsburg rivals abroad. Complementing studies on the representation of Henry VIII, this book makes a dynamic contribution to scholarship on the enterprise of royal image-making in early-modern Europe. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture.

Coinciding with the five hundredth anniversary of Francis I's accession, this book will appeal to scholars and students of medieval and Renaissance art, the history of portraiture or anyone interested in images of monarchy and the history of France.

From the Back Cover

Representations of Renaissance monarchy analyses the portraits and personal imagery of the renowned 'Father of Arts and Letters', Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. In providing a valuable point of comparison with publications on the representation of Henry VIII, the book makes a meaningful contribution to scholarship on the enterprise of royal image-making and practice of visual rhetoric in the courts of early modern Europe. It also provides a useful guide on the manipulative mechanics of portraiture as a social tool and cultural phenomenon.

The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects and Tudor and Habsburg rivals abroad. Whereas conventional studies of images of rule emphasise the propagandistic agency or regulatory capacity of royal images and objects, the dispersive replication of Francis I's portraits are shown to have impacted on his reputation in unexpectedly positive and negative ways. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture.

Representations of Renaissance monarchy will appeal to scholars and students of medieval and Renaissance art and the history of portraiture as wells as the general reader interested in images of monarchy and the history of France.

Review Quotes

'Representations of Renaissance monarchy is a welcome contribution to French Renaissance and European court studies. Mansfield's writing is engaging and lucid, making the book a readily accessible resource for students of all levels in the disciplines of both history and art history, particularly those studying the French court. The book is impressively researched and the extensive footnotes and bibliography will be a valuable tool for students and specialists alike.'
Lisa Anderson, The Sixteenth Century Journal, Vol. XLIX, No. 2 (Summer 2018)

About the Author

Lisa Mansfield is Lecturer in Art History at the University of Adelaide