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Satyajit Ray - by Ben Nyce (Hardcover)
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Highlights
- With 26 films to his credit and numerous international prizes, Satyajit Ray is India's most recognized filmmaker--yet, no extended study of his films has previouly been published in English in the West.
- About the Author: BEN NYCE is Professor of Literature and Film at the University of San Diego.
- 223 Pages
- Performing Arts, Film
Description
About the Book
With 26 films to his credit and numerous international prizes, Satyajit Ray is India's most recognized filmmaker--yet, no extended study of his films has previouly been published in English in the West. Ben Nyce examines each of Ray's films in close detail and provides a cinematic examination of his unique style. Nyce explores Ray's career chronologically to best chart his stylistic development as a filmaker. Each chapter considers one film and how it expressed the particular quality of rhythm and mood which characterizes his work. Narrative synopses are first presented, and the opinions of his critics are continually noted and discussed. Included are studies of the following well known films: Pather Panchali, Aparajito, Apur Sanar (The Apu Trilogy), Jalsaghar (The Music Room), Ashani Sanket (Distant Thunder), and Ghare-Baire (The Home and the World).
Book Synopsis
With 26 films to his credit and numerous international prizes, Satyajit Ray is India's most recognized filmmaker--yet, no extended study of his films has previouly been published in English in the West. Ben Nyce examines each of Ray's films in close detail and provides a cinematic examination of his unique style. Nyce explores Ray's career chronologically to best chart his stylistic development as a filmaker. Each chapter considers one film and how it expressed the particular quality of rhythm and mood which characterizes his work. Narrative synopses are first presented, and the opinions of his critics are continually noted and discussed. Included are studies of the following well known films: Pather Panchali, Aparajito, Apur Sanar (The Apu Trilogy), Jalsaghar (The Music Room), Ashani Sanket (Distant Thunder), and Ghare-Baire (The Home and the World).Review Quotes
?. . . Nyce's understanding of filmmaking is crucial in providing insightful interpretations of Ray's methods and skills. . . . In addition, a complete filmography and a bibliography that includes books, aritlces, films and general studies on Ray and his work are useful for exploring the subject further. Of all the works on Ray, this is the only one to focus systematically on the films, essentially in chronological order of production. . . .?-The Journal of Asian Studies
?The primary value of the book for film studies rests especially on some of these passages of close analysis, earning it a place beside the books of Henri Micciolo (in French) and Chidanandan Das Gupta on the director's work and Robin Wood's monograph on the Apu Trilogy.?-Chicago South Asia Newsletter
"The primary value of the book for film studies rests especially on some of these passages of close analysis, earning it a place beside the books of Henri Micciolo (in French) and Chidanandan Das Gupta on the director's work and Robin Wood's monograph on the Apu Trilogy."-Chicago South Asia Newsletter
." . . Nyce's understanding of filmmaking is crucial in providing insightful interpretations of Ray's methods and skills. . . . In addition, a complete filmography and a bibliography that includes books, aritlces, films and general studies on Ray and his work are useful for exploring the subject further. Of all the works on Ray, this is the only one to focus systematically on the films, essentially in chronological order of production. . . ."-The Journal of Asian Studies
About the Author
BEN NYCE is Professor of Literature and Film at the University of San Diego. He has been Fulbright Professor of American Literature at Rabat, Morocco and Nairobi, Kenya. He has published articles on literature and film in such journals as Modern Language Quarterly and New Orleans Review.