Stephanie Syjuco: After/Images - by Georgia Erger & Stephanie Syjuco (Paperback)
About this item
Highlights
- Amid the murky ethics of archival material, Syjuco rehabilitates images of Asian and Asian American people within America's documented historiesFilipino American artist Stephanie Syjuco (born 1974) rephotographs and reconstructs photographs from museum and library collections to reveal the instability of images and the violence of the colonial gaze.
- Author(s): Georgia Erger & Stephanie Syjuco
- 128 Pages
- Art, Individual Artists
Description
About the Book
"Published by the Frye Art Museum in conjunction with the exhibition of the same name, Stephanie Syjuco: After/Images brings together lens-based artworks from the past six years of Syjuco's practice. The catalogue scrutinizes the archive as both concept and tangible thing. Syjuco's photographic interventions in imperial archives demonstrate the ability to see without being seen as the position of power, a stance the colonizer has long recognized and occupied. Across photographs, videos, and installations, Syjuco employs visual disruptions, annotations, and other cues of constructedness. These artistic actions explode the implied innocence of the archival regime, instead urging us to read images-and history-through multiple lenses of narrative distortion"--Book Synopsis
Amid the murky ethics of archival material, Syjuco rehabilitates images of Asian and Asian American people within America's documented histories
Filipino American artist Stephanie Syjuco (born 1974) rephotographs and reconstructs photographs from museum and library collections to reveal the instability of images and the violence of the colonial gaze. Across her photographs, videos and installations, Syjuco employs visual disruptions, annotations and other cues of constructedness: artistic actions that explode the implied innocence of the archival regime. Her most recent projects have dealt with materials relating to early 20th-century American imperialism in the Philippines, including ethnological displays from the 1904 World's Fair in St. Louis. This full-color catalog is the artist's first monograph and accompanies a solo exhibition of her recent lens-based artworks. Essays by writer and art critic Aruna D'Souza, exhibition curator Georgia Erger and scholar Ekalan Hou offer insight into Syjuco's quest that we read images--and history--through multiple lenses of narrative distortion.