About this item
Highlights
- Launching off from subjects as varied as Tinder and animal testing, Emma Healey's provocative collection of prose poems explores the urgent themes of feminism, mental illness, sexuality, artistic practice, alienation, connection, technology, and time.In Stereoblind, no single thing is ever perceived in just one way.
- Author(s): Emma Healey
- 112 Pages
- Poetry, Canadian
Description
About the Book
Launching off from subjects as varied as Tinder and animal testing, Emma Healey's provocative new collection of prose poems explores the urgent themes of feminism, mental illness, sexuality, artistic practice, alienation, connection, technology, and time.
Book Synopsis
Launching off from subjects as varied as Tinder and animal testing, Emma Healey's provocative collection of prose poems explores the urgent themes of feminism, mental illness, sexuality, artistic practice, alienation, connection, technology, and time.
In Stereoblind, no single thing is ever perceived in just one way. Shot through with asymmetry and misconception, the prose poems in Emma Healey's second collection describe a world that's anxious and skewed, but still somehow familiar -- where the past, present, and future overlap, facts are not always true, borders are not always solid, and events seem to write themselves into being. An on-again, off-again real estate sale nudges a quartet of millennial renters into an alternate universe of multiplying signs and wonders; an art show at Ontario Place may or may not be as strange and complex (or even as "real") as described; the collusion of a hangover and a blizzard carry our narrator on a trancelike odyssey through Bed Bath &Beyond. Using a diverse range of subjects -- from pharmaceutical research testing to Tinder -- to form an inventory of ontological disturbance, Healey delves into moments when the differences between things disappear, and life exceeds its limits.
Review Quotes
PRAISE FOR BEGIN WITH THE END IN MIND
"Who needs a tightrope to stroll across Niagara Falls when you have the prose poem -- pliable, surreal, infinitely hackable. These poems from Emma Healey signal the arrival of an exciting, nimble, new voice." -- Sina Queyras
"Healey's work operates close to the edges of contemporary poetic discourse -- and sometimes beyond them . . . but [it] is also concerned with the experience of life lived in the personal present. A poet well-versed in critical and theoretical discourse but who also has a keen eye for the everyday and the real." -- Philip Coleman, Penny Dreadful (Ireland)
"A bit confessional, a bit surrealist, a bit Miranda July, and very New Sincerity . . . These poems dance and ramble, propelled by an earnestness that can't help but charm." -- Nico Mara McKay, Broken Pencil