The Jew in the Art of the Italian Renaissance - (Jewish Culture and Contexts) by Dana E Katz (Hardcover)
About this item
Highlights
- Renaissance Italy is often characterized as a place of unusual tolerance and privilege toward Jews.
- About the Author: Dana E. Katz teaches art history and humanities at Reed College.
- 240 Pages
- Art, European
- Series Name: Jewish Culture and Contexts
Description
About the Book
Dana E. Katz reveals how Italian Renaissance painting became part of a policy of tolerance that deflected violence from the real world onto a symbolic world. While the rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews.Book Synopsis
Renaissance Italy is often characterized as a place of unusual tolerance and privilege toward Jews. Unlike England, France, Germany, Spain, and Portugal, the princely courts of early modern Italy, particularly Urbino, Mantua, and Ferrara, offered economic and social prosperity to Jews. When anti-Jewish hostilities created civic tumult in this region, secular authorities promptly contained the violence.
Yet this written record tells only one part of the story. Pictures tell another. In The Jew in the Art of the Italian Renaissance, Dana E. Katz reveals how Renaissance paintings and sculpture became part of a policy of tolerance that deflected violence to a symbolic status. While rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews. The economic benefits Jewish toleration supplied never outweighed the animosity toward Jews' participation in the Christian community.
Katz examines how particular forms of visual representation were used to punish Jews symbolically for alleged crimes against Christianity, including host desecration, deicide, and ritual murder. The production of such imagery testifies to the distinctive Jewry policies employed in the northern Italian princedoms, republican Florence, and imperial Trent. The book provides new insights into famous masterworks by Andrea Mantegna, Paolo Uccello, and others, placing these paintings within a larger discourse that incorporates noncanonical, provincial works of art.
Review Quotes
A rigorous, well-written, and readable book on the sensitive topic of Christian anti-Judaism and its manifestation and transmission in fifteenth- and sixteenth-century Italian art. The Jew in the Art of the Italian Renaissance will stand as the definitive study of its topic.--Stephen Campbell, The Johns Hopkins University
About the Author
Dana E. Katz teaches art history and humanities at Reed College.
