The Lure of the Modern - (Berkeley Interdisciplinary Studies of China) by Shu-Mei Shih (Paperback)

About the Book

"Quite apart from her contributions as a literary critic, Shu-mei Shih is able to historicize literary developments of the period most persuasively. Her analysis of Shanghai, the city, and the literary movement it spawned, is crafted with great sensitivity to both history and literature. In many ways, it is the most inclusive historical study of modern Chinese literature in its formative period."--Prasenjit Duara, author of "Rescuing History from the Nation"
"Tracing the spectral production of 'Chinese' identity as it is disseminated globally, Shih boldly moves away from using place (ethnicity) and the body (race) to anchor Chinese identity, to argue that the visual (film) and the verbal (language and linguistics) are the most salient ones in the modern and contemporary historical formation. She succeeds brilliantly."--David Palumbo-Liu, author of "Asian/American: Historical Crossings of a Racial Frontier"
"This is the most thoroughly researched study of Chinese modernism published to date. The author's theoretical interventions greatly enrich our understanding of colonial modernity and the stakes of comparison in cross-cultural studies. The book is a major contribution to modern Chinese literary studies and comparative literature."--Lydia Liu, editor of "Tokens of Exchange"

Book Synopsis

Shu-mei Shih's study is the first book in English to offer a comprehensive account of Chinese literary modernism from Republican China. In The Lure of the Modern, Shih argues for the contextualization of Chinese modernism in the semicolonial cultural and political formation of the time. Engaging critically with theories of modernism, postcoloniality, and global and local cultural studies, Shih analyzes pivotal issues--such as psychoanalysis, decadence, Orientalism, Occidentalism, semicolonial subjectivity, cosmopolitanism, and urbanism--that were mediated by Japanese as well as Western modernisms.

From the Back Cover

"Quite apart from her contributions as a literary critic, Shu-mei Shih is able to historicize literary developments of the period most persuasively. Her analysis of Shanghai, the city, and the literary movement it spawned, is crafted with great sensitivity to both history and literature. In many ways, it is the most inclusive historical study of modern Chinese literature in its formative period."--Prasenjit Duara, author of Rescuing History from the Nation

"Tracing the spectral production of 'Chinese' identity as it is disseminated globally, Shih boldly moves away from using place (ethnicity) and the body (race) to anchor Chinese identity, to argue that the visual (film) and the verbal (language and linguistics) are the most salient ones in the modern and contemporary historical formation. She succeeds brilliantly."--David Palumbo-Liu, author of Asian/American: Historical Crossings of a Racial Frontier

"This is the most thoroughly researched study of Chinese modernism published to date. The author's theoretical interventions greatly enrich our understanding of colonial modernity and the stakes of comparison in cross-cultural studies. The book is a major contribution to modern Chinese literary studies and comparative literature."--Lydia Liu, editor of Tokens of Exchange

About the Author

Shu-mei Shih is Associate Professor in East Asian Languages and Cultures, Comparative Literature, and Asian American Studies at the University of California, Los Angeles.