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The Origins of English Revenge Tragedy - (Edinburgh Critical Studies in Renaissance Culture) by George Oppitz-Trotman (Paperback)

The Origins of English Revenge Tragedy - (Edinburgh Critical Studies in Renaissance Culture) by  George Oppitz-Trotman (Paperback) - 1 of 1
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About this item

Highlights

  • Charting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person is involved in theatrical materiality.
  • About the Author: George Oppitz-Trotman is a Research Associate in the Faculty of English and the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at the University of Cambridge.
  • 272 Pages
  • Literary Criticism, Renaissance
  • Series Name: Edinburgh Critical Studies in Renaissance Culture

Description



About the Book



Charting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person is involved in theatrical materiality.



Book Synopsis



Charting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person is involved in theatrical materiality. It shows how the moral difficulty of revenge in plays like The Spanish Tragedy, Hamlet and The Duchess of Malfi is inseparable from the difficulty of discerning human shapes in the theatre and on the page. Intervening in a wide range of current debates within early modern studies, Oppitz-Trotman argues that the origins of English tragic drama cannot be understood without considering how the common player appears in it.



From the Back Cover



Discovers a poetics of tragic figuration Charting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person is involved in theatrical materiality. It shows how the moral difficulty of revenge in plays like The Spanish Tragedy, Hamlet and The Duchess of Malfi is inseparable from the difficulty of discerning human shapes in the theatre and on the page. Intervening in a wide range of current debates within early modern studies, Oppitz-Trotman argues that the origins of English tragic drama cannot be understood without considering how the common player appears in it. George Oppitz-Trotman is Research Associate in the Faculty of English and the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at the University of Cambridge. Cover image: Rembrandt van Rijn and Jan Victors Vor einer nur angedeuteten Gestalt kniender Mann (A man kneeling in front of an only hinted figure) Städel Museum, Frankfurt am Main, Graphische Sammlung (c) Städel Museum - ARTOTHEK Cover design: www.hayesdesign.co.uk [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-4171-1 Barcode



About the Author



George Oppitz-Trotman is a Research Associate in the Faculty of English and the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at the University of Cambridge. He received his undergraduate degree from the University of East Anglia, his graduate degrees from the University of Cambridge, and the venia legendi from the Otto-Friedrich-Universität Bamberg. He has held fellowships from the British Academy and the Alexander von Humboldt Stiftung.

Dimensions (Overall): 9.21 Inches (H) x 6.14 Inches (W) x .58 Inches (D)
Weight: .85 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 272
Genre: Literary Criticism
Sub-Genre: Renaissance
Series Title: Edinburgh Critical Studies in Renaissance Culture
Publisher: Edinburgh University Press
Format: Paperback
Author: George Oppitz-Trotman
Language: English
Street Date: February 16, 2021
TCIN: 1004204088
UPC: 9781474441728
Item Number (DPCI): 247-33-9912
Origin: Made in the USA or Imported
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Shipping details

Estimated ship dimensions: 0.58 inches length x 6.14 inches width x 9.21 inches height
Estimated ship weight: 0.85 pounds
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