Writing Doubt in Montaigne's Essais - (Edinburgh Critical Studies in Renaissance Culture) by Luke O'Sullivan
About this item
Highlights
- Doubtful Writing offers a major reassessment of philosophical uncertainty in one of the early modern period's foremost doubters.
- About the Author: Dr Luke O'Sullivan is a Career Development Fellow in Early Modern French at St Hilda's College, University of Oxford.
- 256 Pages
- Literary Criticism, European
- Series Name: Edinburgh Critical Studies in Renaissance Culture
Description
About the Book
Offers a new understanding of doubt in Montaigne's Essais and early modern intellectual cultureBook Synopsis
Doubtful Writing offers a major reassessment of philosophical uncertainty in one of the early modern period's foremost doubters. It argues that Montaigne's engagement, his endless 'commerce' with two dogmatists, Seneca and Plutarch, produced a radical new mode of doubtful writing; one with which Montaigne could conduct and communicate a double, unresolved, and contradictory mode of thinking.
Seneca and Plutarch have long been recognised as Montaigne's preferred authors: he himself, on numerous occasions, holds them up as authors of the books he could not be without and their influence on his informal, fragmentary style is widely acknowledged. But these authors have, until now, escaped significant attention from the perspective of philosophical uncertainty. Doubtful Writing argues that it was with these authors - dogmatists who nevertheless practised a 'doubtful and unresolved way of writing' - that Montaigne developed his own manière de dire ('way of saying'). Reading Montaigne through this lens offers a valuable new perspective on doubt in the Essais and in the early modern period more broadly, understanding doubt not only as a philosophical system or set of arguments but as a practice of thinking in and with writing.
From the Back Cover
[headline]Offers a major reassessment of philosophical uncertainty in one of the early modern period's foremost doubters Whilst the ancient Sceptics always struggled to find expressions fit for their doubtful philosophy, in his Essais, Montaigne identified Seneca and Plutarch as two dogmatists who nonetheless had a 'doubtful way of writing'. In this erudite and well-argued book, O'Sullivan argues that Montaigne's engagement with Seneca and Plutarch produced a radical new mode of doubtful thinking and writing that revealed the liquid, shapeshifting movements of the soul. It is a form of writing that recasts authorship as insecure and temporary, and entangles Montaigne's 'simple' truth-telling with doubleness. Reading Seneca and Plutarch not in their familiar garb, but in light of their curious, understudied association with doubt, this book argues for a reassessment of philosophical uncertainty, cognitive contradiction and stylistic ambiguity in one of the early modern period's foremost doubters. [bio]Luke O'Sullivan is Career Development Fellow in Early Modern French at St Hilda's College, University of Oxford.Review Quotes
Luke O'Sullivan is one of the best close-readers of Montaigne around. In this book, he provides a compelling new account of the French essayist's doubtful mode of writing, and of his relationship to Seneca and Plutarch.
--Warren Boutcher, Queen Mary University of LondonAbout the Author
Dr Luke O'Sullivan is a Career Development Fellow in Early Modern French at St Hilda's College, University of Oxford. Between 2013 and 2016, he held a Durham Doctoral Scholarship in the French department at the University of Durham and in 2018 he was awarded a Leverhulme Early Career Fellowship, held in the French department at King's College London for a project titled 'Doubtful Truth-Telling in Early Modern France'.
