About this item
Highlights
- Starving ghosts, anguished farmers, and grieving mothers.
- About the Author: Kimberly Chung is Assistant Professor of Korean Literary and Cultural Studies at McGill University.
- 256 Pages
- Literary Criticism, Asian
Description
About the Book
"Starving ghosts, anguished farmers, and grieving mothers. Floating heads, gaunt bodies, and masses of bodily fluids. Such are the visceral sensations, exaggerated affects, and suffering subjects that characterized leftist Korean cultural production in the 1920s and 1930s. In popular fiction, print cartoons, reportage, and other emergent forms of mass culture, scenes detailing the spectacular bodily harms endured by figures like migrant workers, tenant farmers, and everyday families proliferated. Yet at the time such representations were criticized as excessively grotesque and insufficiently political by leftist intellectuals, and they have subsequently been overlooked by scholars in favor of socialist realism and its dynamic proletarian heroes. The Sensational Proletarian, by contrast, focuses on these textual and visual representations to tell the story of how new affects and everyday experiences introduced by imperial capitalism and colonial modernity were mediated through the lower-class body. Kimberly Chung traces the emergence of "the sensational proletarian" as a central figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean efforts not only to grapple with modernity, imperialism, and capitalism, but to do so using the new political ideology and imaginary of Marxism. This book brings to light the centrality of sensational cultures in the development of class politics in Korea, an integral relationship that continues throughout modern and contemporary Korean cultural history"--Book Synopsis
Starving ghosts, anguished farmers, and grieving mothers. Floating heads, gaunt bodies, and masses of bodily fluids. Such are the visceral sensations, exaggerated affects, and suffering subjects that characterized leftist Korean cultural production in the 1920s and 1930s. In popular fiction, print cartoons, reportage, and other emergent forms of mass culture, scenes detailing the spectacular bodily harms endured by figures like migrant workers, tenant farmers, and everyday families proliferated. Yet at the time such representations were criticized as excessively grotesque and insufficiently political by leftist intellectuals, and they have subsequently been overlooked by scholars in favor of socialist realism and its dynamic proletarian heroes.
The Sensational Proletarian, by contrast, focuses on these textual and visual representations to tell the story of how new affects and everyday experiences introduced by imperial capitalism and colonial modernity were mediated through the lower-class body. Kimberly Chung traces the emergence of "the sensational proletarian" as a central figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean efforts not only to grapple with modernity, imperialism, and capitalism, but to do so using the new political ideology and imaginary of Marxism. This book brings to light the centrality of sensational cultures in the development of class politics in Korea, an integral relationship that continues throughout modern and contemporary Korean cultural history.
Review Quotes
"The Sensational Proletarian casts new light on colonial Korea's influential proletarian cultural movement of the 1920s and 1930s. Underscoring the importance of sensation and the sensational to the popularization of the proletarian body, Kimberly Chung shows how affective excess travels across multiple forms of print culture to offer new ways of imagining revolutionary futures. Chung's groundbreaking work on the visualization, folklorization, and gendering of class is a must-read for those interested in colonial proletarian culture and its affective and sensational K-afterlives, which have now found a global audience." --Theodore Hughes, Columbia University
"The Sensational Proletarian offers an original and methodologically innovative analysis of colonial Korean proletarian culture. Chung presents an insightful and important case study of the complex relationship between politics and aesthetics, advancing new frontiers of affect studies. It is essential reading for those interested in Korean cultural history and global leftist cultures." --Sunyoung Park, University of Southern California
"This engaging study examines how sensational representations of the proletarian body in 1920s-30s Korean print culture under Japanese colonialism made unique uses of affect, emotion, and visceral feelings to popularize leftist thought and class politics. Kimberly Chung presents astute, original readings of sensation, horror, and spectrality in literature, journalism, visual culture, and in the Marxist tradition itself." --Lisa Lowe, Yale University
About the Author
Kimberly Chung is Assistant Professor of Korean Literary and Cultural Studies at McGill University.