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About this item
Highlights
- In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song "The Tide Is High," originally written by Jamaican legend John Holt.
- About the Author: Josh Kun is an author, journalist, curator, and Professor in the Annenberg School for Communication and Journalism at the University of Southern California.
- 252 Pages
- Music, Ethnomusicology
Description
About the Book
"Published with the assistance of the Getty Foundation"--Title pageBook Synopsis
In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song "The Tide Is High," originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician "Alex" Acuña, and with horns and violins that were pure LA mariachi by way of Mexico, "The Tide Is High" demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century. The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city's culture--from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel.From the Back Cover
"The Tide Was Always High will redefine the way people think and write about the music and history of Los Angeles. Positioning LA as a Latin American city, this collection of essays and original interviews reveals new geographic, visual, and sonic understandings of the link between Los Angeles and the world Latin@s have made."--Gaye Theresa Johnson, author of Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles "This eye-opening and singularly important collection establishes a new understanding of the importance of the city of Los Angeles in hemispheric and global culture while remapping the history of Latin music to reveal previously understudied currents of collaboration and cross-pollination."--George Lipsitz, author of Footsteps in the Dark: The Hidden Histories of Popular MusicReview Quotes
Best Latino/Latin American History Books of 2017-- "Remezcla"
About the Author
Josh Kun is an author, journalist, curator, and Professor in the Annenberg School for Communication and Journalism at the University of Southern California. He is a winner of a 2006 American Book Award and is a 2016 MacArthur Fellow.Dimensions (Overall): 9.9 Inches (H) x 6.9 Inches (W) x 1.1 Inches (D)
Weight: 1.7 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 252
Genre: Music
Sub-Genre: Ethnomusicology
Publisher: University of California Press
Format: Paperback
Author: Josh Kun
Language: English
Street Date: September 26, 2017
TCIN: 84957066
UPC: 9780520294400
Item Number (DPCI): 247-37-3489
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 1.1 inches length x 6.9 inches width x 9.9 inches height
Estimated ship weight: 1.7 pounds
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