About this item
Highlights
- Once upon a time, there was a tower on a hill, beyond the dark trees, somewhere north.
- About the Author: Thea Lenarduzzi is a writer, broadcaster and editor.
- 264 Pages
- Biography + Autobiography, Personal Memoirs
Description
About the Book
Veering between fiction, memoir, fairy tale and folklore, The Tower is an extraordinary book about power, abuse and why we don't always tell the story we set out to tell.
Book Synopsis
Once upon a time, there was a tower on a hill, beyond the dark trees, somewhere north. An octagonal tower on two levels: glass upstairs and stone below, beneath a steep slate roof - a folly, it was said. According to locals, a young woman named Annie who fell ill was confined to the tower by her father for three years and died there, alone. Fascinated by Annie's story, Thea Lenarduzzi attempts to piece the past together in a formidable act of imagination, which, tugging at the strings of the how, why and who of stories, begins to unravel the very idea of storytelling itself. Veering between fiction, memoir, fairy tale and folklore, The Tower is an extraordinary book about power, abuse and why we don't always tell the story we set out to tell.
Review Quotes
'Dandelions is a beautiful, precise and exceptionally intelligent family memoir. In it, Lenarduzzi carefully detangles a complex web of interlocking stories, which she finds to be threaded through with warmth, aspiration and hope. In the figure of Dirce we find a kind-hearted grandmother and compendium of stories both - offering wisdom and familial mythology like a Friulian oracle. Dandelions marks the arrival of a stunning new voice.'
-- Cal Flyn, author of Islands of Abandonment (praise for Dandelions)
'Dandelions is a book of hauntings, intensely experienced, pierced by occasional terrors, yet irradiated throughout by passionate attachment. Generations of family ghosts wander between Italy and England, their lives summoned from a beloved grandmother's long memories and the author's own wide-roaming, often poetic reflections on botany, history and language. Thea Lenarduzzi has spread out before us a feast of sensuous and sensitive, nuanced and deeply appealing testimony to migration, survival, and complicated identities at a time when such thoughtfulness is rare and desperately needed.'
-- Marina Warner, author of Inventory of a Life Mislaid (praise for Dandelions)
'Dandelions is spellbinding. Like the polished beads of a secular rosary, each bearing a remembrance, Lenarduzzi's ancestral memoir conjures intimate histories of migration, love, and loss across decades of passages between Italy and England. Her redoubtable grandmother Dirce will lure you in, as she unfolds fragmentary myths with a sly wit, whispering ascolta, "listen" - and you won't resist.'
-- Anna Della Subin, author of Accidental Gods (praise for Dandelions)
'The Tower is about the allure (and refusal) of certain narratives, about the sublime quest an author takes when she embarks on the act of storytelling. Its form - a composite of fiction, memoir, history - mirrors its subject matter and, excitingly, "stages" its very questions. In this elegantly composed, layered and expansive book, Thea Lenarduzzi articulates something of the mysterious nature of stories while also making an argument for all that is unknowable.'
-- Lauren Aimee Curtis, author of Strangers at the Port
'Beautifully observed and written with heart and an infectious curiosity, Thea Lenarduzzi's Dandelions parses the complex ways in which we live out our histories and carry the past within us, through ritual, food, language and legend. Like rifling through an overflowing drawer or opening an ancient photo album, Lenarduzzi unearths glinting gems of family fiction, introducing us to a shifting cast of memorable characters whose journeys, stories and passions it's our joy to share.'
-- Francesca Wade, author of Square Haunting (praise for Dandelions)
'In this subtle and elegant family memoir, Thea Lenarduzzi gathers the ghost seeds between her present life in England and her family's past in Italy. A meditation on roots, inheritance and homesickness, Dandelions is also a reminder that what will survive of us is love.'
-- Frances Wilson, author of Burning Man (praise for Dandelions)
'Life, and writing, can expand from a detail: to which extent must this detail be personal? In this remarkable and surprising book, Thea Lenarduzzi wanders trough the many paths of fiction-making, in a literary quest to find out if the girl in the tower is a romanticised symbol, an exhausted trope, a resourceful broken archive at the beginning of a powerful story, hers as much as ours. Truly fascinating and brimming with intellectual energy.'
-- Claudia Durastanti, author of Strangers I Know
About the Author
Thea Lenarduzzi is a writer, broadcaster and editor. Her debut, Dandelions, a family memoir and cultural history of migration between Italy and England, won the 2020 Fitzcarraldo Editions Essay Prize and was shortlisted for the Ackerley Prize for 'literary autobiography of outstanding merit'. The Tower is her second book.