Amateurs! - by Joanna Walsh (Paperback)

About the Book

"Since the nineties, platforms have invited users to create in return for connection. From blogs to vlogs, tweets to memes, and so much else: for the first time in history, making art became the fundamental form of communication. What started as fun soon became currency, something vital to finding friends, work, and love. Then, as 'meatspace' job security eroded, online creativity became work itself. Now, an internet presence is no longer optional, and platforms increasingly charge users. Whatever it is we're creating online, it isn't amateur anymore. But is it art? Do our everyday creations under Internet capitalism make the grade?"-- Provided by publisher.

Book Synopsis

The story of how you created internet culture and why it matters

Since the nineties, platforms have invited users to create in return for connection. From blogs to vlogs, tweets to memes: for the first time in history, making art became the fundamental form of communication.

What started as fun soon became currency, something vital to finding friends, work, and love. Then, as 'meatspace' job security eroded, online creativity became work itself. Now an internet presence is no longer optional, platforms increasingly charge users. Whatever it is we're creating online, it isn't amateur anymore. But is it art?

In this scintillating philosophical history of the internet, Joanna Walsh, author of Girl Online, examines how and why creativity became the price of digital existence.

Review Quotes

"Bubbling over with pithy and accessible aperçus, Amateurs! is a snappy guide to the new aesthetics of online culture and the end of professionalization. Walsh surveys the deskilling that results from the fusion of unpaid labour and self-branding: from dumb memes to Instagram influencers, from Wikicore aesthetics to the trash essay, culminating in the talent bypass that is AI. She offers catchy terms for thinking through the revision of authorship and creativity (decuperation and unrealism, anyone?) - delivered with a keen sense of history and a spiky feminist attitude and that never lapses into the curmudgeonly.'"
--Claire Bishop, author of Disordered Attention

"Joanna Walsh finds exactly the right concept (if also, as she notes, a paradoxically retro as well as definitionally mimetic one, on the cusp of becoming indistinguishable from its historical opposite) for totalizing that seemingly untotalizable, endlessly self-dehistoricizing thing which is the Internet as aesthetic phenomenon. This is a stunning feat."
--Sianne Ngai, George M. Pullman Professor of English and the College, University of Chicago

"A bold, thoughtful and beautifully lyrical exploration of how amateur creativity shaped the internet"
--Rachel O'Dwyer, author of Tokens

About the Author

Joanna Walsh a multidisciplinary writer for print, digital and performance. The author of twelve books (several co-written with DIY AIs that she coded), her publishers include Semiotext(e), Bloomsbury and Verso. She is the creator of the digital narratives, seed-story.com and miss-communication.ie. Her work has been performed/exhibited at venues including IMMA, the ICA, BETA Festival Dublin, and Sample Studios Cork. She founded and directed the online activist projects @read_women (2014-18), and @noentry_arts (2019_2024). She was the 2020 Markievicz Awardee for Literature, the 2017 UK Arts Foundation fellow for literature; an Anthony Burgess Centenary Writer Fellow at the University of Manchester and a 2024 DAAD Artists in Berlin awardee (refused in solidarity with the Palestine).