About this item
Highlights
- Ghosts and Things argues that Victorians turned to the dead to understand the material culture of their present.
- About the Author: Aviva Briefel is Edward Little Professor of the English Language and Literature and Cinema Studies at Bowdoin College.
- 270 Pages
- History, Europe
Description
About the Book
"Ghosts and Things argues that Victorians turned to the dead to understand their own material culture. With the rise of spiritualism in Britain in the early 1850s, sâeances intended to contact ghosts also encouraged participants to process what it meant to live in a capitalist world dominated by things"--Book Synopsis
Ghosts and Things argues that Victorians turned to the dead to understand the material culture of their present. With the rise of spiritualism in Britain in the early 1850s, séances invited participants to contact ghosts using material things, from ordinary household furniture to specialized technologies invented to register the presence of spirits. In its supernatural object lessons, Victorian spiritualism was not just a mystical movement centered on the dead but also a practical resource for learning how to negotiate the uncanniness of life under capitalism.
Aviva Briefel explores how spiritualism compelled séance participants to speculate on the manufacture of spectral clothing; ponder the hidden histories and energies of parlor furniture; confront the humiliations of consumerism as summoned spirits pelted them with exotic fruits; and comprehend modes of mechanical reproduction, like photography and electrotyping, that had the power to shape identities. Briefel argues that spiritualist practices and the objects they employed offered both believers and skeptics unexpected frameworks for grappling with the often-invisible forces of labor, consumption, exploitation, and exchange that haunted their everyday lives.
Ghosts and Things reveals how spiritualism's explorations of the borderland between life and death, matter and spirit, produced a strange and seductive combination of wonder and discomfort that allowed participants to experience the possibilities and precarities of industrial modernity in novel ways.
About the Author
Aviva Briefel is Edward Little Professor of the English Language and Literature and Cinema Studies at Bowdoin College. She is the author of The Deceivers and The Racial Hand in the Victorian Imagination.