About this item
Highlights
- For Herman Melville, the instability of democracy held tremendous creative potential.
- About the Author: Jennifer Greiman is Associate Professor of English at Wake Forest University.
- 350 Pages
- Literary Criticism, American
Description
About the Book
"For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being--modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory--the paradox of foundations, the vicious circles of sovereign power, the fragility of the people--to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity"--Book Synopsis
For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being--modeling how we can think democracy in political theory today.
Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory--the paradox of foundations, the vicious circles of sovereign power, the fragility of the people--to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity.
Review Quotes
"There is simply no corner of Melville's work that does not focus on politics as practice or theory. And yet, as Jennifer Greiman reminds us in her searching and absorbing book, Melville's Democracy: Radical Figuration and Political Form, there is nothing like consensus in the critical literature about what Melville's political ruminations add up to.... Reading such work is a bracing and freeing experience."--Jonathan Elmer, Nineteenth-Century Literature
"Melville's Democracy makes a major and triple contribution--to Melville scholarship, democratic theory, and literary theory.... Melville's Democracy, as an insightful, dense, and beautifully written tableau of Melville's democratic aesthetics, may very well be itself one of these supplements so important to democracy."--Édouard Marsoin, American Literary History
"Greiman's Emersonian demonstration shows that however incomplete its figures, Melville's democracy is not formless. Both a regime and a process, Melville's democracy is held fluid by, and as, a practice of form that may be called aesthetics. Greiman needs to be thanked for making these complex geometrical entanglements beautifully clear."--Cécile Roudeau, Leviathan
"Including a cogent, wide-ranging introduction and a useful overview of other approaches to Melville and democracy, this is a fascinating, valuable contribution to Melville studies. Essential."--J. W. Miller, CHOICE
"Enthralling and fearless, Greiman's sensuous dive into Melville's poetics and political thinking excites and holds us tight in a world like no other. A brilliant breakthrough in close reading and political thinking. Democracy will never be the same."--Colin Dayan, author of With Dogs at the Edge of Life
"Greiman succeeds at the difficult task of saying something new about democracy in her original reading of Melville as a systematic thinker of it. This is an excellent book, wonderfully written and researched."--Branka Arsic, author of Bird Relics: Grief and Vitalism in Thoreau
"In Greiman's dazzling analysis, Melville emerges as a political theorist in his own right whose 'figurative imagination' gives us new forms, new language, new narratives to explore what democracy is and what it should be."--Nathan Wolff, author of Not Quite Hope and Other Political Emotions in the Gilded Age
About the Author
Jennifer Greiman is Associate Professor of English at Wake Forest University.