About the BookA contemporary gothic from an author in the company of Kelly Link and Aimee Bender, Mr. Splitfoot tracks two women--Ruth (a scam-artist foster kid), and, decades later, Cora (her pregnant niece)--as they march, each in her own time, toward a mysterious reckoning.
Book SynopsisA New York Times Editors' Choice and Indie Next Pick. From the author of The Invention of Everything Else comes a contemporary gothic about Mr. Splitfoot, who tracks two women across multiple decades as they march, each in her own time, toward a mysterious reckoning.
A New York Times Editors' Choice A Publishers Weekly Bestseller Featured on the New York Times Paperback Row Longlisted for the Brooklyn Eagles Literary Prize? January 2016 Indie Next Pick A Paris Review Staff Pick Named a Best Book of 2016 by MPR News One of TimeOut New York's "15 Best Books of 2016" One of Esquire's "The 25 Best Books of 2016 (So Far)" One of Refinery 29's "The Best Books Of 2016 So Far" One of Paste Magazine's "The 16 Best Fiction Books of 2016 (So Far)" One of BookRiot's "The Best Books Of 2016, So Far"? One of Huffington Post's "5 Hot Books" Featured on iBooks's "25 Best Books of January" One of Read It Forward's "Favorite Reads of January" A BookBrowse Editor's Choice "Samantha Hunt's third novel, MR. SPLITFOOT, will haunt me...I've dog-eared so many pages in honor of vivid prose that my advance reader's copy of MR. SPLITFOOT curls up with fattened corners...the novel moves not just in two time frames, told through two voices, a first-person narrator and a third-, but also...it moves in the fourth dimension, stamping itself upon the reading mind. Hypnotic and glowing, MR. SPLITFOOT insists on its own ghostly presence."--Gregory Maguire, New York Times Book Review "The historical and the fantastical entwine like snakes in Samantha Hunt's fiction...Turned around and around in these woods, you won't always know where you are, but there's a rare pleasure in this blend of romance and phantoms."--Washington Post "This gripping novel alternates between two story lines: in one, the budding con artists Nat and Ruth struggle to survive in an abusive Christian foster home; in the other, set some years in the future, Ruth, inexplicably rendered mute, leads her niece, Cora, on a journey across New York State on foot. The narratives, which twist together into a shocking dénouement, are marked by ghost stories, from Nat and Ruth's forays into the world of mediums and séances to Cora's struggle to piece together her aunt's past. 'History holds up one side of our lives and fiction the other, ' one character tells Cora, and the novel's pleasures lie in the intersections between the two."--New Yorker "The ghosts of industrial America haunt the author's picaresque third novel alongside the maybe-supernatural kind. Deep in upstate New York, two orphaned teens break free of the shady Love of Christ! foster home and make a business of claiming to channel the dead; years later, one of them, Ruth, turns up mute and gaunt at the home of her pregnant niece and draws her into a mysterious march along the Erie Canal. The two narratives alternate suspensefully, building a world of hidden forces and untethered souls that feels like the dystopia we already live in."--Vulture, "7 Books You Need to Read This January" "Mr. Splitfoot [is] at once an intriguing mystery with clues, suspense, enigmas galore, and an exhilarating, witty, poignant paean to the unexplainable, the unsolvable, the irreducibly mysterious...[Hunt's] epistemological and ethical rigor are complemented by a lovely respect for what remains uncategorizable, unable to be mastered or explained away."--The Boston Globe "If you're looking for one of those books that's an escapist adventure, a gothic page-turner that is also so finely crafted that you'll feel enri --
About the AuthorSAMANTHA HUNT's The Invention of Everything Else was a finalist for the Orange Prize and winner of the Bard Fiction Prize. After her first novel, The Seas, she was selected for the National Book Foundation's inaugural 5 Under 35 program. Her fiction has been published in The New Yorker and McSweeney's.