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Philosophical Perspective on Cinema - (Politics, Literature, & Film) by Pedro Blas González (Paperback)
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Highlights
- Philosophical Perspective on Cinema addresses the relationship between human existence and sensual reality.
- About the Author: Pedro Blas González is professor of philosophy at Barry University.
- 190 Pages
- Political Science, General
- Series Name: Politics, Literature, & Film
Description
About the Book
Philosophical Perspective on Cinema addresses the relationship between human existence and sensual reality. Applying metaphysical/existential reflection to cinema, the author explores the philosophical clarity that cinema can offer reflective persons about the human experience.
Book Synopsis
Philosophical Perspective on Cinema addresses the relationship between human existence and sensual reality. Applying metaphysical/existential reflection to cinema, the author explores the philosophical clarity that cinema can offer reflective persons about the human experience.
Review Quotes
Gonzaacute;lez intends his approach to divert attention from what most broadly gains attention in escapist contemporary movies: intense visual displays and astounding special effects. Gonzaacute;lez endorses more meaningful cinema that avoids being seduced by the sensual and ascends rather to the ldquo;metaphysical/existentialrdquo; essence of human existence. Genuinely humanistic cinema thus aspires to elucidate spiritual transcendence. Analysis of these pinpointed films builds on detailed synopses, which show how a visual narrative can deliver transcendent meaning and ennoble humanity. This book will interest those in theology and religious studies as well as film students. Recommended. Lower- and upper-division undergraduates; general readers.
Philosophical Perspective on Cinema is an original contribution to our understanding of the role of film in advancing the philosophical and existential perspective on life. In this wide-ranging analysis of major films, the author engages in a highly thoughtful discussion of the philosophical nature of film.
This accessible and deeply philosophical examination of iconic films is a welcome addition to the bibliography on the intersection between film and humanistic disciplines.
About the Author
Pedro Blas González is professor of philosophy at Barry University.