Supervillains - by Nao Tomabechi

About the Book

This book provides a savvy investigation of the supervillains that appear in superhero comics. Exploring villainous archetypes and Otherness in relation to the notion of evil, the book investigates how supervillains uphold and solidify but also trouble hegemonic ideals expressed by the heroism of superheroes.

Book Synopsis

Alongside superheroes, supervillains, too, have become one of today's most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains.

Bringing together different approaches and critical perspectives across disciplines, author Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, Supervillians explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.

Review Quotes

"Superheroes are an oft-studied phenomenon; however, with a few exceptions, their foes have gone understudied. Nao Tamabechi's comprehensive study distinguishes itself from its forebears and is an incredibly valuable resource for comic studies scholars and comic book readers alike."
--Phillip Cunningham "Wake Forest University"

"Tomabechi provides a revealing examination of the paradoxical nature of supervillains - on the one hand, reflecting what society considers monstrous and Other, yet also being alluring, even generating their own fandom."
--Randy Duncan "co-author of The Power of Comics and Graphic Novels: Culture, Form, and Context"

"Tomabechi focuses their substantial analysis specifically on the comics form, marking the first extended discussion of the supervillain as a storytelling device in sequential art. The book is both ambitious and humble, engaging in a comprehensive, overdue investigation that limits itself to sensible boundaries and, in the process, helps us better understand the field of comics studies."
--Robert Peaslee "co-editor of The Supervillains Reader"

About the Author

NAO TOMABECHI