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The Best Adirondack Stories of Philander Deming - (New York Classics) (Hardcover)
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Highlights
- In simple, darkly faceted stories, Philander Deming writes as a person whose childhood knowledge of the Adirondacks has been honed to a fine sense for its potential human tragedy.
- About the Author: Philander Deming, a lawyer by training, worked as a court reporter and stenographer.
- 224 Pages
- Fiction + Literature Genres, Short Stories (single author)
- Series Name: New York Classics
Description
About the Book
In the first collection of his best work, Philander Deming's Civil War-era stories create a haunting, isolating image of the Adirondack Mountains.
Book Synopsis
In simple, darkly faceted stories, Philander Deming writes as a person whose childhood knowledge of the Adirondacks has been honed to a fine sense for its potential human tragedy.
In this, the first collection of his best work, a haunting vision of the Adirondacks comes through that is hard to forget. Deming's themes revolve around deception and self-deception, loneliness, and good intentions gone awry. Most of his stories occur just before or after the Civil War. In almost every story, however, Deming shows his characters looking back towards the mountains, from the Mohawk or St. Lawrence Valley or from lonely settlements on the edge of the forest, or across Lake Champlain. Few Adirondack writers have been so convincing in conveying the keen isolation of life in the northern forest and its peculiar effects on the human mind. The wilderness community is cruel, fostered by ignorance and isolation. In the end, the mountains, seemingly a neutral back drop against which individuals confront a collective morality, are the real source of his inspiration.From the Back Cover
He was lost in the edge of the Adirondack Wilderness. It must have been the sound of the flail. Willie was hardly four years old; and when once he was a few rods away from the barn, off on the plain monotonous yellow stubble, he could not tell where he was, and could not detect the deceptive nature of the sound and its echo. He could see nothing: whichever way he looked, wherever he walked, there were the same reverberations; and the same narrow dome of watery gray was everywhere shutting close down around him. As he followed the muffled sound, in his efforts to get back to the barn, it seemed to retreat from him, and her ran faster to overtake it. He ran on and on, and so was lost.About the Author
Philander Deming, a lawyer by training, worked as a court reporter and stenographer. He became a significant literary figure in regional writing in the late nineteenth century.
Frank Bergmann, professor of English and German, is associate dean for arts and sciences at Utica University.