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About this item
Highlights
- Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers-among them Jean Paul Sartre and Jacques Derrida.
- About the Author: Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns.
- 279 Pages
- Literary Criticism, Semiotics & Theory
Description
Book Synopsis
Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers-among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language. Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's The Writing of the Disaster for the University of Nebraska Press in 1986.From the Back Cover
The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as to nature of artistic creativity, while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme, Kafka, Rilke, and Holderlin.About the Author
Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's The Writing of the Disaster for the University of Nebraska Press in 1986.Dimensions (Overall): 8.95 Inches (H) x 5.99 Inches (W) x .66 Inches (D)
Weight: .86 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 279
Genre: Literary Criticism
Sub-Genre: Semiotics & Theory
Publisher: University of Nebraska Press
Format: Paperback
Author: Maurice Blanchot
Language: English
Street Date: December 1, 1989
TCIN: 88970250
UPC: 9780803260924
Item Number (DPCI): 247-52-9071
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.66 inches length x 5.99 inches width x 8.95 inches height
Estimated ship weight: 0.86 pounds
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