"We Didn't Start the Fire" - (For the Record: Lexington Studies in Rock and Popular Music) by Joshua S Duchan & Ryan Raul Bañagale (Hardcover)
About this item
Highlights
- Using Billy Joel's music as a lens on history and culture, this volume introduces a variety of musicological approaches to one of the most popular entertainers of the past fifty years.
- About the Author: Joshua S. Duchan is associate professor of music and director of graduate studies in the Department of Music at Wayne State University.
- 260 Pages
- Music, Genres & Styles
- Series Name: For the Record: Lexington Studies in Rock and Popular Music
Description
About the Book
Using Billy Joel's music as a lens on history and culture, this volume introduces a variety of musicological approaches to one of the most popular entertainers of the past fifty years.Book Synopsis
Using Billy Joel's music as a lens on history and culture, this volume introduces a variety of musicological approaches to one of the most popular entertainers of the past fifty years.
Review Quotes
A wide-ranging look at the work of a pop master. This illuminating collection of essays offers diverse perspectives on Joel's music, making a compelling scholarly case for his legacy as one of rock's great songwriters and performers.
Duchan and Bañagale have brought together 12 essays on musician Billy Joel (b. 1949), preceded by an introduction and a brief foreword by Joel. Though there have been many biographies of Joel, this is a valuable addition to the scholarship. . . The book concludes with Bañagale and Duchan's 2016 interview with Joel. Many of the essays include music transcriptions. A discography lists Joel's dozen solo studio albums; bibliographical references stand in for a bibliography. This is a useful addition to the literature on Joel's musical heritage. Recommended.
We learn from many insightful perspectives how to fully appreciate Joel's intriguing body of work. The writers have geared their presentations for the non-specialist reader, a great feat given the multileveled complexity of the lyrics, music, and sonics in Joel's catalog. The collection is topped-off with a penetrating discussion with The Man himself--Bravi!
Ultimately, I leave the interpretation of my music to others. I've said all I can, in the music and in interviews. I'm flattered that the last few years have seen an increase in interest in my music on the part of musicologists and other scholars, seeking better understandings of my songs and their place in American history and culture. If that all continues, great. And the chapters in this book are a very good place to start. --from the Foreword by
About the Author
Joshua S. Duchan is associate professor of music and director of graduate studies in the Department of Music at Wayne State University.
Ryan Raul Bañagale is associate professor of music and director of performing arts at Colorado College.