What the Victorians Made of Romanticism - by Tom Mole (Paperback)

Book Synopsis

This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth--one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media.

Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing--such as photographs, postcards, books, and collectibles--that in turn remade the public's understanding of Romantic writers.

Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.

From the Back Cover

"Original and compelling. What the Victorians Made of Romanticism presents a number of valuable insights and perspectives on its topic."--Antony H. Harrison, author of Victorian Poets and Romantic Poems: Intertextuality and Ideology

"Convincing and nuanced. Mole extends existing knowledge of the Victorian reshaping of Romanticism by tracing the cultural transmission of selected Romantic poets through often overlooked reception practices such as sermons, illustrations, anthologies, and statues."--Kim Wheatley, author of Romantic Feuds: Transcending the "Age of Personality"

"A splendid book. Mole provides a much needed perspective on how the broader culture of the Victorian age responded to a highly selective and heavily mediated and remediated version of Romanticism."--David G. Riede, author of Matthew Arnold and the Betrayal of Language

Review Quotes

"What the Victorians Made of Romanticism is a major achievement."---Richard Cronin, BARS Review

"What the Victorians Made of Romanticism offers valuable, always fascinating, insights into cultural history."---George P. Landow, Victorian Web

"A broad study of material reimaginings of the Romantics, What the Victorians Made of Romanticism not only highlights the interconnected nature of these various objects in reception history--even as the narratives they build are contradictory--but also legitimizes them as spaces for further literary study."---Megan Peiser, Victorian Periodicals Review

"Fascinating, erudite, and imaginative . . . this monograph is a rich new reception history for an interdisciplinary age."---Natalie Reeve, Wilkie Collins Journal

"Mole's What the Victorians Made of Romanticism extends the catalogue of recent studies that take seriously the mobility of Romantic writing across generations."---Paul Westover, Studies in Romantacism

"Received the Judges' Commendation for the 2018 SHARP DeLong Book History Book Prize, The Society for the History of Authorship, Reading and Publishing"

"Winner of the 2018 Dorothy Lee Award for Outstanding Scholarship in the Ecology of Culture, Media Ecology Association"

"Winner of the 2018 Scottish Research Book of the Year, Saltire Society"

About the Author

Tom Mole is Reader in English Literature and Director of the Centre for the History of the Book at the University of Edinburgh. He is the author of Byron's Romantic Celebrity, the editor of Romanticism and Celebrity Culture, the coeditor of The Broadview Reader in Book History, and the coauthor of The Broadview Introduction to Book History.