Work of Fiction - (Creative Working Lives) by Christina Williams (Hardcover)
About this item
Highlights
- Work of Fiction: Making a Living from Writing in the UK explores the lived experiences of fiction writers in the UK and how they make a living.
- About the Author: Christina Williams is Associate Lecturer in Media Communications at Bath Spa University, UK.
- 227 Pages
- Business + Money Management, Industries
- Series Name: Creative Working Lives
Description
Book Synopsis
Work of Fiction: Making a Living from Writing in the UK explores the lived experiences of fiction writers in the UK and how they make a living. Based on a substantial body of interviews with a range of fiction writers, it considers the ways that writers think about and talk about writing as work and how 'discourses of writing' operate to support or undermine them as cultural workers. It argues that discourses of love, luck, magic, and 'being a writer' function in complex ways to position writers in enchanted and elevated spaces which both nurture their practice and undermine their status as remunerated workers in the creative sector.
The book shows how the positives and negatives of often precarious cultural work are played out for fiction writers. It has implications for writers in the ways that they think about and talk about themselves as workers, and how the publishing industry values their contributions.
From the Back Cover
Work of Fiction: Making a Living from Writing in the UK explores the lived experiences of fiction writers in the UK and how they make a living. Based on a substantial body of interviews with a range of fiction writers, it considers the ways that writers think about and talk about writing as work and how 'discourses of writing' operate to support or undermine them as cultural workers. It argues that discourses of love, luck, magic, and 'being a writer' function in complex ways to position writers in enchanted and elevated spaces which both nurture their practice and undermine their status as remunerated workers in the creative sector.
The book shows how the positives and negatives of often precarious cultural work are played out for fiction writers. It has implications for writers in the ways that they think about and talk about themselves as workers, and how the publishing industry values their contributions.
Christina Williams is Research Fellow in Cultural Economies & Associate Lecturer in Media Communications at the University of West England, Bristol, UK.
About the Author
Christina Williams is Associate Lecturer in Media Communications at Bath Spa University, UK.