About this item
Highlights
- Trained in classical piano and Marxism and raised on jazz, gospel, pop, hip hop, and Black revolutionary politics, Pulitzer Prize finalist Eisa Davis's plays are marked by her stunning intimacy with the praxis of music alongside radical change.
- About the Author: Eisa Davis is a writer, composer, and performer.
- 225 Pages
- Drama, American
Description
Book Synopsis
Trained
in classical piano and Marxism and raised on jazz, gospel, pop, hip
hop, and Black revolutionary politics, Pulitzer Prize finalist Eisa
Davis's plays are marked by her stunning intimacy with the praxis of
music alongside radical change. In Angela's Mixtape, time shifts like a mixtape, and like a mixtape, the play is both a memoir and a gift--for us, of course, and for Davis's aunt, activist and scholar Angela Y. Davis, under whose tutelage Davis reads Das Kapital and learns to drive stick and hack her own way toward inheriting her legacy. In The History of Light,
Davis counterpoints the intertwining fates of two couples under
racialized pressures a generation apart. Lush with the sound of the
grand piano, The History of Light is a study in black and
white, love and alienation. Underlying the political clarity and formal
virtuosity of Davis's writing are the unexpected crackles of a voice
warming up, the crunchiness of missed notes. Because for an artist
concerned, like Davis, with how we become who we are and might be, error
is a necessary instrument--maybe the sounding weight.
Review Quotes
"[An] appropriately turbulent and quite funny show about the forces that influence the forging of identity....the strange juxtaposition of the prosaic trials of adolescence and the
urgent radicalism of the family politics is also what gives the show its
own distinctive identity."-- "New York Times on Angela's Mixtape"
"A revealing portrait of a young artist (born in 1970, while her aunt is
in prison) struggling to find herself, while growing up in the shadow of
three enormously strong, brilliant, and successful black women steeped
in radical sixties politics."-- "New Yorker on Angela's Mixtape"
About the Author
Eisa Davis is a writer, composer, and performer. A recipient of a USA Artists Fellowship, Creative Capital Award, an AUDELCO, an Obie for Sustained Excellence in Performance, and the Herb Alpert Award in Theater, Eisa was also a Pulitzer Prize finalist for her play Bulrusher. Along with her thirteen full-length stageworks, she has written for television, recorded two albums of original music, Something Else and Tinctures, and directed a short film, Remembrance. Notable performance work includes Kindred, Mare of Easttown, The Wire, Kings, The Essentialisn't, the musical of The Secret Life of Bees, and Passing Strange. An alumnus of New Dramatists, Eisa has received residencies, awards, and fellowships from Sundance Theater Lab, the Hermitage Artist Retreat, the Doris Duke Charitable Foundation, the Helen Merrill Foundation, the Van Lier and Mellon Foundations, and Cave Canem. Eisa lives in Brooklyn, NY.