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Repeating Ourselves - by  Robert Fink (Paperback) - 1 of 1

Repeating Ourselves - by Robert Fink (Paperback)

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About this item

Highlights

  • Where did musical minimalism come from--and what does it mean?
  • About the Author: Robert Fink is Associate Professor of Musicology at the University of California, Los Angeles.
  • 296 Pages
  • Music, History & Criticism

Description



About the Book



"The most important, and clearly the most culturally and theoretically informed, of any of the major studies on minimalism. No other book comes remotely close to establishing the historical links between early postmodernist Euro-American social changes. Fink's scholarship is as impeccable as his readings of minimalist compositions are stunningly insightful. Not least, the book is beautifully written."--Richard Leppert, editor of "T. W. Adorno, Essays On Music"
"A model of interdisciplinary scholarship at its best. "Repeating Ourselves" is now the central study on both minimalism and on repetition. This is an excellent book, and very important indeed."--Anahid Kassabian, author of "Hearing Film "



Book Synopsis



Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education.



From the Back Cover



"The most important, and clearly the most culturally and theoretically informed, of any of the major studies on minimalism. No other book comes remotely close to establishing the historical links between early postmodernist Euro-American social changes. Fink's scholarship is as impeccable as his readings of minimalist compositions are stunningly insightful. Not least, the book is beautifully written."--Richard Leppert, editor of T. W. Adorno, Essays On Music

"A model of interdisciplinary scholarship at its best. Repeating Ourselves is now the central study on both minimalism and on repetition. This is an excellent book, and very important indeed."--Anahid Kassabian, author of Hearing Film



About the Author



Robert Fink is Associate Professor of Musicology at the University of California, Los Angeles.
Dimensions (Overall): 9.12 Inches (H) x 6.1 Inches (W) x .7 Inches (D)
Weight: .92 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 296
Genre: Music
Sub-Genre: History & Criticism
Publisher: University of California Press
Format: Paperback
Author: Robert Fink
Language: English
Street Date: September 13, 2005
TCIN: 1011231564
UPC: 9780520245501
Item Number (DPCI): 247-06-1206
Origin: Made in the USA or Imported
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Shipping details

Estimated ship dimensions: 0.7 inches length x 6.1 inches width x 9.12 inches height
Estimated ship weight: 0.92 pounds
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Q: How many pages does the book contain?

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  • A: The book contains a total of 296 pages.

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Q: Who is the author of this book?

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  • A: The author is Robert Fink, an Associate Professor of Musicology at UCLA.

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Q: What is the main focus of the book?

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  • A: The book explores the origins and cultural significance of musical minimalism and its connection to American consumer society.

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Q: What genre does this book belong to?

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  • A: The book falls under the genre of Music, specifically focusing on History and Criticism.

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Q: What notable composers are discussed in the book?

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  • A: The book discusses composers such as Terry Riley, Steve Reich, and Philip Glass.

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