Billy Sullivan: Still, Looking - (Hardcover)

About the Book

Surface and abyss, lust for life and the transience of youth: these are some of the qualities that make Billy Sullivans color-filled intimate, sensual and minutely observed paintings, drawings and photographs of his friends, family, lovers and muses and their worlds so riveting. Since the early 1970s Sullivan has chronicled New Yorks underground art and fashion scene with his camera, translating the images into oil paintings, pastel drawings and elaborate multi-part slideshow installations. For this extensive monograph, Sullivan sequenced the images non-chronologically into a series of visual chapters, placing his photos alongside his paintings and drawings. Sullivans work rivets in its painstaking observation of casual beauty, desire and love in its every facetbetween family members, lovers, acquaintances and kindred spirits. Art critic William J. Simmons places Sullivans oeuvre in art historical context and writer Linda Yablonsky explores Sullivans personal life. Sullivan (b. 1946) has exhibited internationally since 1971 with works in collections of MoMA (NY ), The Metropolitan Museum of Art, the Denver Art Museum and others.

Book Synopsis

Since the early 1970s Billy Sullivan has accompanied New York's underground, art and fashion scenes with his camera, using the resultant photographic material as templates for oil paintings, pastel drawings and elaborate multi-part slideshow installations. Sullivan shows his friends, family, lovers and muses, as well as the worlds and demimondes in which they move: clubs, ateliers, rumpled hotel rooms and elegant beach houses. In Sullivan's imagery, which dispenses with any chronological order, the underground scene, the cultural elite and high society are always very close together, as are surface and abyss, the lust for life and the transience of youth. This distillation of Sullivan's photographs, paintings and drawings showcases an ongoing dialogue between camera and paintbrush that characterizes his work. Sullivan's pictures are intimate, sensual and minutely observed. In his latter-day paintings, moments captured by his camera forty years back look as though they'd taken place only yesterday, defying the passage of time. They are unabatedly existential in their painstaking observation of casual beauty, desire and love in their every facet - between family members, lovers, fly-by-night acquaintances and kindred artistic spirits. Sullivan succeeds in doing wholly without shock effects, voyeurism, irony and maudlin melancholy. The key to his work lies in the sincerity with which he approaches his subjects and to which they respond in kind. He juxtaposes images without comment or value judgment, piecing them together into a visual autobiography that is at the same time a chronicle of bohemian New York.