All-in Fighting In Colour - Combat Edition - by W E Fairbairn (Paperback)

About the Book

The distilled knowledge of W. E. Fairbairn, legendary SOE instructor in unarmed combat, who learned his deadly skills in 30 years on the Shanghai waterfront. Fully illustrated and enhanced with colourised images.

Book Synopsis

Fully illustrated and enhanced with colourised images, this is the Combat Edition of what is regarded as the classic manual of unarmed combat, it will be sure to delight all martial arts enthusiasts.

The author of this guide to unarmed combat and self-defence is a legend. W. E. Fairbairn (1885-1960) spent over thirty years in the tough environment of the Riot Squads of China's Shanghai Municipal Police. In order to lower levels of Police mortality at the hands of Chinese Tongs, he studied ancient Chinese and Japanese martial arts, including Ju-jitsu, and was the first foreigner to be awarded a black belt in the discipline. He developed his own system which he called 'Defendu'. At the outbreak of the Second World War, he was recruited by Britain's Special Operations Executive as an Instructor in unarmed combat and expounded the deadly mysteries of attack and defence to scores of trainee agents about to be dropped into occupied Europe. His methods were approved and officially adopted throughout the British army. Fairbairn also developed weapons and defence aids such as bullet proof vests. He is best known as the co-inventor of the famous Sykes-Fairbairn knife. In this book he expounds his distilled experience of unarmed combat. Fully illustrated, it shows how to deliver deadly blows with hand, fist, knee and boot; wrist, bear- and strangle holds (and how to break them); how to throw an enemy, and how to break their backs; how to disarm a pistol-wielding attacker; and securing a prisoner. The book also contains a chapter on the use of the rifle in close combat by Captain P. N. Walbridge.

Captain W. E. Fairbairn would have approved of this new colour version, that gives an illustrative clarity to the original that was lacking in previous monochrome reprints of his work.