Tragedy - by Oliver Taplin (Hardcover)

Book Synopsis

A major new history of the revolutionary invention of tragedy that sheds fresh and surprising light on both ancient and modern drama

Why did tragedy come into being--and why is it still so important 2,500 years after it first arose in fifth-century Athens? Does it serve a deeper purpose beyond entertainment? And was the birth of tragedy at the same time and place as the birth of democracy more than a coincidence? In this book, Oliver Taplin, one of the world's leading authorities on ancient Greek drama, confronts these fascinating questions by offering a lively, personal, and radical new account of how and why this transformative art form happened. By illuminating the foundations of Greek theatre, he offers surprising new insights into both ancient performance and the persistent power of drama.

Tragedy reveals the collaborations that were needed for the new theatrical events to be staged at the Festival of Dionysus each spring--turning storytelling into "story-doing." It explores the bold theatricality of the earliest plays, especially those of Aeschylus. And it maps the profound impact dramatic performances must have had on their first audiences. Most of all, the book argues that drama, although enabled by democracy, did not reassuringly endorse the standard attitudes of its audience of male Athenian citizens. To the contrary, plays encouraged them to empathize with others, especially women and the disempowered.

As Tragedy persuasively argues, the combination of highly crafted performance and deep engagement with the sufferings of others in Greek drama helped to strengthen its audiences, like an inoculation, to face up to the pains of being fallible and mortal. And in doing so, Greek tragedy planted the seeds of drama's rich flowerings down to today.

About the Author

Oliver Taplin taught for thirty-five years at the University of Oxford, specializing in Greek poetry and drama and their performance in both ancient and modern times. He has published books on Homer, tragedy, and comedy, and on their reflections in vase-painting. He has also made verse translations of epic and tragedy, and has collaborated with creative practitioners including Tony Harrison, Lydia Koniordou, and Katie Mitchell.