Nonfiction - by Shane McCrae (Paperback)

About the Book

Poetry. Literary Nonfiction. African American Studies. In Shane McCrae's NONFICTION, the self is repeatedly re-figured as the site of rupture between truth and fiction, present and past, first- person and third-person--the rupture in which the dichotomies we live by, the dichotomies that erase us, originate. The speakers of these poems inhabit impossible situations, and the poems themselves speak neither of overcoming, nor of being overcome by, these impossibilities, but of the moment of equilibrium between extremes, the moment of uncertainty from which the future emerges. As McCrae writes at the end of his two-part poem on Solomon Northup, "in the darkness / I after a while couldn't be sure / My eyes were open." These poems assert, and foreground, possibility; the rupture they describe is hope.

Book Synopsis

Positioned at a nexus of poetry (regarding which our ideas about form condition our expectations for content) and nonfiction (regarding which our ideas about content condition our expectations for form), the poems in Nonfiction are singing essays on race in America and the racialized American self, on child abuse and parenting, on love, and envy, and imprisonment.

About the Author

Shane McCrae is the author of several poetry collections, including Mule (2011); Blood (2013); The Animal Too Big to Kill (2015); In the Language of My Captor (Wesleyan University Press, 2017), which was a finalist for the National Book Award; and The Gilded Auction Block (2019). His work has also been featured in The Best American Poetry 2010, edited by Amy Gerstler, and his honors include a Whiting Writers' Award and a fellowship from the National Endowment for the Arts.